Art Class

Director: Andrea Luka Zimmerman

Year: 2024

WAYFARING STRANGER charts the life of an itinerant character, embodied by seven performers, across seven days representing seven decades. Running from the city, through post-industrial edge lands and manicured enclaves, they find themselves in forests, farms, mountains and finally at the shore. Along the way, which lasts a lifetime, they undergo a transformation, through the seasons and changing geography, both physically and emotionally, from youth to elderhood, and from a single, alienated being into an accepted element of the wider world. Their personal narrative co-exists with the past, present and future of the land they traverse. Each ‘day’ is a ‘station’ that signifies a turning point in their emotional development: from escape, through loss, grief and waywardness, to solidarity and co-existence.<br /> Part fable, part manifesto, part poem, filmed across landscapes marked by centuries of ceaseless human extraction, Wayfaring Stranger asks what it takes to find a liveable life on one’s own terms and without conflict with others and the environment.<br /> Within the sound design by multi-award-winning sound recordist Chris Watson, the polyphonic environment scores the seasonal changes alongside the human and topographic shifts.

Director: Andrea Luka Zimmerman

Year: 2017

‘Bo’ Gritz is one of America’s highest decorated Vietnam veterans and the alleged real life inspiration behind Rambo. He also killed 400 people, turned against Washington and moved to the Nevada desert where he now sleeps with many weapons. Filmed over ten years using impressive visual material, Zimmerman’s portrait of Bo embodies contemporary American society in all its dizzying complexity and contradictions. <br /> Official Selection BFI London Film Festival 2017 - Experimenta Strand

Director: Andrea Luka Zimmerman

Year: 2015

A spirited celebration of extraordinary everyday humanity. Filmed over seven years, ESTATE, A REVERIE reveals and celebrates the resilience of residents who are profoundly overlooked and stereotyped by media representations and wider social responses. Interweaving intimate portraits with the residents’ own historical re-enactments, landscape and architectural studies and dramatised scenes, the documentary poses the question as to how we might resist being framed exclusively through class, gender, ability or disability, and even through geography…