Atom Spirit
Synopsis
Atom Spirit is a film that reconceptualises our relationships with the environment, non-human animals and each other. Shedding scientific taxonomies and building queer ecologies in their stead, the film considers the possibility and necessity for new means of being in the world.
Details
- Year
- 2017
- Type of project
- Shorts
- Running time
- 19 mins 45 secs
- Format
- 16 mm
- Director
-
Ursula Mayer
- Producer
- Ursula Mayer
- Co-Producer
- Lesley-Anne MacFarlane
- Executive Producer
- Ursula Maer
- Editor
- Ursula Mayer, Michelle Deignan
- Screenwriter
- Ursula Mayer, Rachel Claire Hill
- Director of Photography
- Margaret Salmon
- Sound
- Konrad Welz
- Composer
- Josuha Supayouth Salcedo, Rapper Sweet Lizzie
- Principal cast
- Valentijn de Hingh, Amanda McIntyre, Jillia Cato, Omar Jarra, Zeleca Julien
Genre
Categories
Production Status
Production Company
Ursula Mayer
Page updates
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See also
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Gonda
Director: Ursula Mayer
Year: 2012
Gonda starts with the play Ideal by Ayn Rand. As a critical counter, Gonda addresses cinematic and linguistic space by creating settings in which image, text and sound shift roles to affect presupposed ideals of identity and existence. Main actor is Dutch transgender model Valentijn de Hingh.
Anak Where Did We Stay?
Director: Sadia Pineda Hameed
Year: 2026
ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).
Moving Sound
Director: Sadia Pineda Hameed
Year: 2025
MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.