Atomfa (and other stories)
Synopsis
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 5 min 44 sec
- Format
- HDV
- Director
-
Joanna Wright
- Producer
- Joanna Wright
- Editor
- Joanna Wright
- Director of Photography
- Joanna Wright, Ed Edwards
- Sound
- Alex Ashcroft
Genre
Production Status
Page updates
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See also
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Greetings From Death Valley
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Year: 2007
After unprecedented rainfall the desert of Death Valley burst into flower. Unseen in living memory, the flowers drew tourists from around the world. Greetings from Death Valley tells three stories from this forgotten landscape. From the last two residents in a gold rush town. From a village at the edge of a lake dried up to feed water to the distant city of Los Angeles. From the proposed site of the dump for all of the USA's nuclear waste. Told through the voices of residents living with the consequences of these events, the film is three postcards from places America would rather ignore.
Dancing on Road
Director: Lauren Gee
Year: 2024
Documenting and celebrating the Black British female roller-skating community, showcasing its long history and fixture within popular culture. Blurring the boundaries between documentary and music video, this experimental film reveals the expansive network of London’s Black skate scene through two key individuals that share their stories and delve into what this space and their skate crews and mentors provide them. This joyous exploration gives visibility to a subculture that to many outsiders is unknown but is made familiar through its nostalgic lens which pays homage to the sports DIY and music-led roots. Official Selection Trinidad and Tobago Film Festival 2025
Glaciers Requiem
Director: Saddiq Abubakar
Year: 2026
In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both. As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment. A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world.