Attacking The Devil: Harold Evans and the Last Nazi War Crime

Director: Jacqui Morris, David Morris

Year: 2020

A reinvention of Charles Dickens’ A Christmas Carol. <br /> The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance. <br /> The opening scenes of the film follow a Victorian family preparing a toy theatre for their annual performance of 'A Christmas Carol'. As the family's grandmother narrates the much-edited story and her grandchildren change the scenery, we enter the imagination of one of the children in the audience and watch as the cardboard stage, and the story with it, transforms into a darkly fantastical otherworld.

Director: Jacqui Morris, David Morris

Year: 2012

Unprecedented access to the twentieth century's most revered war photographer. Don McCullin worked for The Sunday Times from 1969 to 1984, at a time where, under the editorship of Harold Evans, the newspaper was widely recognized as being at the cutting-edge of world journalism, with Don as its star photographer. During that period he covered wars and humanitarian disasters on virtually every continent and the prominence given to his photo essays coincided with one of the most remarkable periods in the history of photojournalism.<br /> With extensive input from Sir Harold Evans, McCullin not only explores Don’s life and work, but also how the ethos of journalism changed during his career. Using the Sunday Times as an example, it compares the strictly ‘hands off’ approach of proprietors like Lord Thompson, who took pride in the fact that he did not want commercial considerations to censor his editors’ from printing what they wanted, to how the newspaper’s independent character changed once it was taken over by Rupert Murdoch, and the pursuit of advertising revenue became paramount, and with it, the inevitable obsessed with fashion, status and celebrity.

Director: Hannah Berryman

Year: 2024

A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle.<br /> Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all.<br /> At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? <br /> This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. <br /> Official Selection DOC NYC 2024 - World premiere<br /> Official Selection CPH:DOX 2025 - European premiere