Bachelor, 38

Director: Angela Clarke

Year: 2026

Imagine hearing your own body: eyes scratching, blood rushing, bones creaking, your heartbeat pounding endlessly. For most, it’s unthinkable. For Dave, it’s daily life. Since 2000, he has lived with Superior Semicircular Canal Dehiscence Syndrome (SCDS), a rare disorder that turns his body into an echo chamber. This immersive short documentary draws viewers into Dave’s sonic reality through raw narration, stark black-and-white imagery, and an unsettling soundscape. As he recounts years of misdiagnosis and disbelief, the film explores resilience and isolation, ultimately asking why we doubt invisible pain and how empathy begins by truly listening to what we cannot see.

Director: Brett Morgen

Year: 2027

An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere

Director: Purva Tavri

Year: 2026

Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.