Beats
Synopsis
Official Selection International Film Festival Rotterdam (IFFR) 2019 - Voices - World premiere
Details
- Year
- 2019
- Type of project
- Features
- Running time
- 96 mins
- Director
-
Brian Welsh
- Producer
- Camilla Bray
- Executive Producer
- Steven Soderbergh
- Editor
- Robin Hill
- Screenwriter
- Kieran Hurley, Brian Welsh
- Director of Photography
- Benjamin Kracun
- Production Designer
- Víctor Molero
- Composer
- JD Twitch (Optimo)
- Principal cast
- Cristian Ortega, Lorn Macdonald, Laura Fraser, Gemma McElhinney, Rachel Jackson
Categories
Production Status
Production Company
Rosetta Productions
Camilla Brayc/o Sixteen Films
2nd Floor
187 Wardour Street
London
W1F 8ZB
Sales Company
Altitude Film Sales
34 Foubert's PlaceLondon
W1F 7PX
Wild Bunch
65 rue de Dunkerque75009 Paris
France
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
In Our Name
Director: Brian Welsh
Year: 2010
Suzy's a British soldier, born and bred, but fitting back into civilian life after fighting in Iraq isn't easy. Haunted by the responsibility she feels for the death of an Iraqi child, she becomes obsessed with the safety of her own daughter, feeling the need to protect her against a threat that doesn't seem to exist. As Suzy's paranoia builds, her behaviour becomes more and more erratic, until finally, she puts her own child in serious danger.
Kin
Director: Brian Welsh
Year: 2009
Frank’s life in London is uncomplicated. A game of pool, a pint and spending time with his care worker Sally are the extent of his wants. Frank's life takes a dramatic turn though when a phone-call from his estranged sister forces him back home to face a life he had long forgotten. Kin is a film about family, care, and the distance that can grow between those who should be closest. Dealing with issues of family responsibility that are universal to all of us, this directorial debut is a painfully touching experience.
Fishguts
Director: Robyn Egan
Year: 2026
Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.