Project Detail

Beauty Is...

Synopsis

Beauty Is... the film by community educator and guerrilla film maker Toyin Agbetu asks ‘what is beauty?’ and examines the answer from a philosophical position through discussions on hair, skin shade, body image and character.
It's a serious, yet often humorous cross between Chris Rock's "Good Hair" and Bill Duke/D. Channsin Berry's "Dark Girls" documentaries with some sensitive Oprah styled interviews mixed in.
The film explores the risks posed by chemical straighteners and skin bleaching, it shares insights on conditions like Vitiligo and Alopecia whilst discussing the impact of biased media on children and personal relationships.
Backed by a global campaign to challenge governments and the pharmaceutical industry, this is edutainment that may just change your life.

Details

Year
2014
Type of project
Features
Running time
122 mins 29 secs
Format
Digital
Director
Toyin Agbetu
Producer
Ligali
Co-Producer
Aleakwe Olive
Editor
Toyin Agbetu
Screenwriter
Toyin Agbetu, WigWam
Composer
Toyin Agbetu

Genre

Categories

Production Status

Production Company

The Ligali Organisation

Contact: Toyin Agbetu

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Maafa: Truth 2007 Maafa: Truth 2007

Director: Toyin Agbetu

Year: 2011

With the British government promoting an inaccurate revisionist version of the 1807 Abolition of the Slave Trade Act many are determined to ensure that Truth prevails in 2007. With contributions from community activists, project workers, teachers, historians and the business community, this documentary confronts the myths about British slavery, presents the true history of the Maafa and African resistance and examines the politics of the government's bicentenary celebrations.

A meditating Buddhist Nun at Bodhgaya Temple Tracing Transcendental Tone

Director: Julian Konczak

Year: 2025

Following a pilgrimage through the sacred sounds of India – a land of many faiths, including Vedanta, Islam and Buddhism. Using striking visual material accompanied by an evocative, multi-layered soundtrack, the audience is taken on a unique sonic journey through the sacred sound practices of many of the world’s key religions. A combination of interviews, performances, and natural sounds creates a rich, immersive cinematic experience. With an intimate, direct camera style, viewers can get close to the many spiritual practitioners, musicians, and meditation teachers who form the fabric of the journey. Bubbling hot springs, subtropical nocturnal symphonies of insects, and harsh, frozen mountain winds combine with mantra chanting, classical Hindustani music, and the dynamic temple sounds of drums and trumpets. This audiovisual tone poem invites you to experience heightened sensory awareness and the transformative, healing power of sound.

An audio cassette tape, with the title 'Childrens Tape for Sue', being repaired. The Solway

Director: Eamon Bourke

Year: 2026

Filmmaker Eamon Bourke lost his mother, Sue, when he was three and has no memory of her. When his father decides to sell the remote Lake District home where she died, Eamon returns with his camera to document the house and its clearing. Among Sue’s belongings - diaries, poems, photographs and tapes - he discovers a box of damaged cassette recordings. After painstakingly repairing them, he uncovers something extraordinary: his mother’s voice. Through these intimate audio diaries, Sue speaks candidly about motherhood, sings to her children, and captures fleeting family moments Eamon never knew. One final tape records her describing the onset of hepatitis, days before she fell into a coma and died in 1983. Another, more haunting still, features three-year-old Eamon calling out to his unconscious mother in hospital, in a desperate attempt to bring her back. As Eamon pieces together this archive, he confronts the enduring impact of early loss, speaking with his father and sisters while retracing the emotional landscape of his childhood. Set against the vast beauty of the Lake District, a deeply personal exploration of grief, memory and love - an attempt to recover what was lost, and to finally say goodbye.