Benjamin Britten - Peace and Conflict
Synopsis
The story begins in 1929 at Gresham’s School in Norfolk, England. Our young actors take us into a world where social and political issues are actively addressed and young Ben Britten’s hatred of all things militaristic is formed.
As we explore the music that illustrated that hatred throughout his life, illustrated by new performances and unique observations from experts and friends, we frequently return to dramatic interludes at Gresham’s, which cement the narrative – spoken by legendary actor John Hurt.
The transcendent music of the War Requiem accompanies the climax of the film, before we return to Gresham’s School 2012.
Details
- Year
- 2013
- Type of film
- Features
- Running time
- 105 mins
- Format
- Digital
- Director
-
Tony Britten
- Producer
- Tony Britten, Katja Mordaunt, Anwen Rees-Myers
- Editor
- Ray Gotts
- Screenwriter
- Tony Britten
- Director of Photography
- Roger Bonnici
- Production Designer
- Emma Davis
- Sound
- Jonathan Blagrove
- Principal cast
- Alex Lawther, Mykola Allen, Bradley Hall, Jeremy Lloyd, Jake Mann, Christopher Theobald, John Hurt, Raphael Wallfisch, Iain Burnside, James Gilchrist, Gerard Collett
Categories
Production Status
Production Company
Capriol Films Ltd
The Coach House35 High Street
Holt
Norfolk
NR25 6BN
Tel: +44 (0) 1263 712600
Sales Company
Reiner Moritz
Poorhouse International Ltd17-18 Margaret Street
London, W1W 8RP
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Director: Tony Britten
Year: 2011
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Director: Tony Britten
Year: 2000
Writer - Director Tony Britten's version of Puccini's 'La Boheme' is a ground breaking new take on an opera classic. Utilising Actor/Singers and a funny but hard hitting script, the film seeks to achieve the sort of accessibility that MUSIC THEATRE LONDON is renown for in the theatre.<br /> <br /> Four young men, an artist, a playwright, a musician and a live in the 'Withnail' - like squalor of booze, dope and bad behaviour. Into this world enters the mysterious Mimi. She and the playwright, Rudolfo, fall in love and everything has to change. Rudolfo's immaturity is reflected in obsessive jealousy, and failure to notice Mimi's drug problem. The lovers part, and only when Mimi comes back to the squat to die, does Rudolfo comprehend the depths of his love, and the boys realise that growing up is violent and irrevocable.<br /> <br /> Shot on location in South East London, the combination of humour, pathos and the urban reality makes this a million miles away from the conventional opera film.