Project Detail

Better to Have Loved

Synopsis

Crafted entirely from card, Better to Have Loved is a film about death, escape and reality.

Details

Year
2007
Type of project
Shorts
Running time
2 mins 58 sec
Format
DVD
Director
Karen Macey
Producer
Karen Macey
Editor
Karen Macey
Director of Photography
Karen Macey
Sound
Chris Devlin

Categories

Production Status

Production Company

Transmission Animations

Karen Macey

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A Trace of Her A Trace of Her

Director: Karen Macey

Year: 2009

Trapped and confused, one man is made to come face to face with the consequence of his actions. Through a series of haunting visions, fragments of that fatal night begin to piece to together and he is soon forced to realise the destructive nature of his obsession. A Trace of Her was made as part of the UK Film Council's Digital Shorts Scheme.

The shopkeeper is fascinated by the photograph of the jungle he just developed Film Film

Director: Arturs Voblikovs

Year: 2025

A print shop owner with seasonal depression becomes obsessed with copying the life of his new customer, an extravagant jungle explorer, based on his film photographs... Official Selection London Short Film Festival LSFF 2026 Official Selection BFI London Film Festival 2026

A still of a painting of Matei Dance of The Spirits

Director: Andreea-Loren Florea

Year: 2026

Matei, a young boy living in a village on the outskirts of Romania, finds more solace in the company of his sheep than with his abusive, alcoholic father. When Matei begins to mimic his father's violence and turn it back onto the sheep, we glimpse the anger that may lie in his future. After he publicly humiliates himself in front of the entire village, his anger only grows, made worse by the fact that his father predicted it. It seems Matei is predetermined to be whatever he is told he is, and nothing else. He is stuck in a self-perpetuating cycle of violence and humiliation. So, when Matei runs off into the woods outside his village and stares at an innocent little sheep, he finds himself at a crossroads. Official Selection, Aesthetica 2026 Official Selection, BFI London Film Festival 2026 Official Selection, Encounters Film Festival 2026