Big in Gazi Baba
Synopsis
Details
- Year
- 2027
- Type of project
- Features
- Running time
- 90 min
- Director
-
Pauline Blanchet
- Producer
- Pauline Blanchet
- Co-Producer
- Avdi Thachi, James Collie, Jan Dunn, Kresnik Jonuzi, Aymeric Isnard
- Editor
- Avdi Thachi
- Director of Photography
- Fisnik Halili
Categories
Production Status
Production Company
Aral Sea Productions
124 City RoadLondon
EC1V 2NX
Violet Pictures
James Collie64 HighStreet
Ramsgate
CT11 9RS
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
River Dreams
Director: Kristina Mikhailova
Year: 2026
Young women see themselves as rivers, connecting poetic imagery to landscapes in a multi-voiced narrative that transforms into political commentary: Kazakh women choose to live without men. Official Selection Berlin International Film Festival 2026 - Forum Special - World premiere
TUTU
Director: Sam Pollard
Year: 2026
The South African cleric Desmond Tutu was more than just an archbishop, he was a moral compass, a fearless champion of justice and a global beacon of hope for a more peaceful future. TUTU reveals the man behind the icon through previously unpublished archive footage and first-hand accounts from those who walked beside him. The film traces Tutu’s rise as the unwavering voice of the oppressed. In the face of brutality, he stood resolute, guided by faith, fuelled by hope and driven by an unshakable belief in the humanity of all people. At its heart, this is a story of the transformative power of forgiveness, a message from which Tutu never wavered. Official Selection Berlin International Film Festival 2026 - Berlinale Special Presentation - World premiere
MUSCLE
Director: Karimah Ashadu
Year: 2025
With no single protagonist or linear narrative, the film immerses the viewer in a spectacle of strength through an intimate portrait of bodybuilders in the slums of Lagos. Inflated muscles, bulging veins and luminous skin glistening with sweat fill the screen. Shot almost entirely in close-ups, the camera hovers so near its subjects, moving softly like breath on skin, that at times figures become blurred, abstracted forms. Karimah Ashadu’s slow, measured pans across backs, chests and arms meditate on visibility, drawing attention to the embodiment and representation of the Black male body without rendering it singular or fixed. The metallic clang of barbells is punctuated with guttural sounds of exertion set against the ambience of the streets. Breath and muscle move in syncopated sonic choreography, and the men’s commitment to the ritual of maintaining the body is evident. Official Selection Berlin International Film Festival 2026 - Forum Expanded - International Premiere