Black Beauty

Director: Grace Ndiritu

Year: 2022

BECOMING PLANT follows six dancers who participate in a therapeutic group experiment with psychedelics, while temporarily ‘living’ together on the demilitarised industrial site. While they are subjected to the plant’s consciousness and to each other’s presence, they perform a choreography, aligning their naked bodies with each other and with the architectural ruins. The film serves as a catalyst to discuss wider social and relational issues such as science, spirituality, psychiatry, healing, healthcare and the problems of collective depression and trauma resulting from living in the age of Late Capitalism. Featuring a specially composed soundtrack by London based electronic musician and visual artist Gaika.

Director: Gabi Dao, Lou Lou Sainsbury

Year: 2025

In ancient ruins, three vampires navigate a mystical realm where the boundaries between the living and dead fade. Sacred artifacts awaken as shadows dance between mortality and eternal darkness. Official Selection BFI London Film Festival 2025 - World premiere

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025