Black Country - A Film From England

Director: Louis Price

Year: 2020

An atmospheric journey into the heart of modern England. Filmmaker Louis Price weaves together scenes of everyday life within the Black Country in the West Midlands. An area once so industrialised the sky appeared black during the day, and red during the night, today the Black Country is a place of ghosts, existing in the aftermath of its industrial past. BLACK COUNTRY - A FILM FROM ENGLAND takes place entirely in one day, observing crematoriums, night clubs, UKIP pubs, living rooms and Council Chambers with a hallucinatory eye that presents no easy answers, or neat narrative resolves. Mixing a combination of industrial archive footage, experimental sound design (wax cylinder recordings, player piano, distorted 78 RPM records), with stripped back austere camera compositions and mysterious, mundane and sometimes unsettling subjects, a distorted postcard from a confused and increasingly indecipherable England.

Director: Sadia Pineda Hameed

Year: 2026

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).

Director: Sadia Pineda Hameed

Year: 2025

MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.