Project Detail

Black Country - A Film From England

Synopsis

An atmospheric journey into the heart of modern England, filmmaker Louis Price weaves together scenes of everyday life within the Black Country in the West Midlands. An area once so industrialised the sky appeared black during the day, and red during the night, today the Black Country is a place of ghosts, existing in the aftermath of its industrial past. Black Country - A Film From England takes place entirely in one day, observing crematoriums, night clubs, UKIP pubs, living rooms and Council Chambers with a hallucinatory eye that presents no easy answers, or neat narrative resolves.
Mixing a combination of industrial archive footage, experimental sound design (wax cylinder recordings, player piano, distorted 78 RPM records), with stripped back austere camera compositions and mysterious, mundane and sometimes unsettling subjects, Black Country is a distorted postcard from a confused and increasingly indecipherable England.

Details

Year
2019
Type of project
Features
Running time
66 min 26 sec
Format
Digital 2K
Director
Louis Price 1st Feature
Producer
Martin Wells
Co-Producer
John Bradburn
Executive Producer
James Collie
Editor
Francis Watson, Louis Price
Screenwriter
Louis Price
Director of Photography
Louis Price
Sound
Note Bleue
Composer
Note Bleue
Principal cast
Max Vann, Daniel Griffith

Production Status

Production Company

Violet Pictures

24 Thanet Gardens
Folkestone
CT19 6DF

Page updates

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Black Country - A Film From England Black Country - A Film From England

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An atmospheric journey into the heart of modern England. Filmmaker Louis Price weaves together scenes of everyday life within the Black Country in the West Midlands. An area once so industrialised the sky appeared black during the day, and red during the night, today the Black Country is a place of ghosts, existing in the aftermath of its industrial past. BLACK COUNTRY - A FILM FROM ENGLAND takes place entirely in one day, observing crematoriums, night clubs, UKIP pubs, living rooms and Council Chambers with a hallucinatory eye that presents no easy answers, or neat narrative resolves. Mixing a combination of industrial archive footage, experimental sound design (wax cylinder recordings, player piano, distorted 78 RPM records), with stripped back austere camera compositions and mysterious, mundane and sometimes unsettling subjects, a distorted postcard from a confused and increasingly indecipherable England.

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