Black Don't Crack
Synopsis
Details
- Year
- 2018
- Type of project
- Shorts
- Running time
- 1 min 46 secs
- Format
- Digital
- Director
-
Ayesha Ramsay
- Producer
- Dominique Unsworth
- Executive Producer
- BBC
- Editor
- Alex Walker
- Screenwriter
- Theophina Gabriel
- Director of Photography
- Steve Kendrick
- Sound
- Alex Walker
- Principal cast
- Theophina Gabriel
Production Status
Production Company
Resource Productions:
Dominique Unsworth27 Church Street
Slough
Berkshire
SL1 1PL
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Pull. Tag. Knot
Director: Ayesha Ramsay
Year: 2016
PullTagKnot. At a young age I grew a dislike for my hair, morning nightmare of tangles and despair. It was not only the hassle but the scrutiny by the other schools kids and their curiosity. This led me towards a black woman's dream. a chemical altering tub of white cream...
She Sings of Murder and Love
Director: Virginia Heath
Year: 2027
A feminist musical documentary, an ethical telling of a true-crime story. An anti-true-crime documentary, the film is a bold, cinematic portrayal of a unique Irish singer-song writer Keeley Moss. Every song Keeley writes and performs celebrates the life of, and demands justice for, Inga Maria Hauser, a young German backpacker, sexually assaulted and murdered in Northern Ireland in 1988. As the facts of Inga Maria's case migrate from Keeley's meticulous blog into her songs, the Director ‘investigates the investigator’ to capture Keeley's fever dream of the intense week of adolescent freedom Inga Maria enjoyed, before she became a 'murder victim'. Through the prism of the Director's feminist gaze, and the actress-cast-as-Inga, Keeley and Inga Maria's personas blur, a rejection of the murder porn audiences are so fatigued by. Through the empathy the Director clearly feels for Keeley’s difficult adolescence and her subsequent obsessive mission, we feel the devastating impact Inga Maria's violent death had on two generations of her family and their anguish at the continuing lack of justice. Perhaps most remarkable of all, we discover the unexpected and profound gifts that Inga Maria has rewarded Keeley's dedication with.
Not Punch and Judy: The Chronicle and Story of an Experiment in Emergent Practice
Director: Julia Fry
Year:
Using ideas from Carl Jung - exploring and accepting the inner world, Carolyn Abbate - analysis of dissonance to find the narrative voice - and Hilde Lindemann Nelson - using narrative to repair damaged identity, I filmed my process of creating puppets and recorded some of the thoughts that arose as I made them. I utilised emergent practice in the filmmaking, which meant letting go of preconceived ideas to let narrative arise in the moment. I wanted my puppets to unite, rather than fight in the traditional Punch and Judy manner.