Project Detail

Blue Bag Life

Synopsis

A story gleaned from material collected over a lifetime. Lisa Selby, an artist and lecturer, has always documented her life in paint, words, photographs and film. As Lisa struggles to comprehend why her mother Helen didn’t raise her, Helen dies. Helen was charismatic, articulate, beautiful and addicted to heroin. Lisa now begins to get to know the woman she never called Mother, through the things she left behind and the memories of people who knew her. Lisa’s partner, Elliot, relapses on heroin and is incarcerated. Through her own sobriety and her love for Elliot, Lisa comes to understand addiction, and Helen, differently. She also uncovers a new possibility towards motherhood deep within herself.
Official Selection BFI London Film Festival 2023 - World premiere - Audience Award - Winner
Official Selection Thessaloniki Documentary Festival 2023 - International premiere - Film Forward Competition Golden Alexander - Winner

Details

Year
2022
Type of project
Features
Running time
90 min
Director
Rebecca Lloyd-Evans, Alex Fry, Lisa Selby 1st Feature
Producer
Natasha Dack Ojumu
Editor
Alex Fry, Rebecca Lloyd-Evans
Screenwriter
Lisa Selby, Josie Cole
Composer
Dana Wachs

Categories

Production Status

Production Company

Tigerlily

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A man stood on a chair wipes water vapour with his hand off the glass cover of a memorial board in a stone brick chapel. Adlais

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

A woman paints on a large canvas in bright colours The End of Times

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.

A lady with white hair sat in a chair talking with a customer surrounded by fabrics Tobias and the Angel

Director: Mark Forbes

Year: 2021

Tobias & The Angel are famous for their shop in West London where all the different aspects of what they do that are combined to make it feel like home. The shop is owned and run by Angel Hughes and has a story to tell about her family beginnings.