Project Detail

Blue Violet

Blue Violet

Synopsis

Blue’s gift preparations for her beloved Violet transform into something darker when reality picks up the phone. A romantic gesture like no other.

Details

Year
2024
Type of project
Shorts
Running time
9 min
Director
Josie Charles
Producer
Archie Sinclair, Chuckie McEwan, Josie Charles, Esme Allen
Editor
Romany Rowell
Screenwriter
Esme Allen
Director of Photography
Jos Bitelli
Production Designer
Giorgia Lee Joseph
Principal cast
Esme Allen, Talitha Wing, Saphira Wing

Categories

Production Status

Production Company

Grey Moth

12 Angel Lane
London
SE17 3FR
https://grey-moth.com/

Page updates

This page was last updated on 28th October 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Fishing Fishing

Director: Josie Charles

Year: 2024

A dark comedy camcorder short exploring female sexuality and the impact of pornography. It’s 2006. Lola has been in her room for three days and refuses to come out. She confesses to a camcorder a tale of first love and lost virginity, before revealing the secret keeping her locked inside. Official Selection Oberhausen International Short Film Festival 2024 Official Selection Slamdance Film Festival 2024

No Women No Children No Women No Children

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

As Time Swallows Time As Time Swallows Time

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.