Project Detail

Borges and I

Synopsis

Through the use of a secret camera, an out-of-work actor tries to uncover the reasons behind his failing career and takes on an experiment to find out if it is possible to control how others perceive him. Borges and I is a facetious commentary on the relentless recording and sharing of our lives in the wake of the user-generated-content generation.

Details

Year
2010
Type of project
Features
Running time
74 mins
Format
35mm
Director
Emily Harris, Yoni Bentovim 1st Feature
Producer
Stella Papadopoulou, Rosa Russo
Editor
Emily Harris, Yoni Bentovim
Screenwriter
Chris McColl
Director of Photography
Tim Harris, Yoni Bentovim
Production Designer
Shanti Mandridge
Sound
Roland Heap
Composer
Malcolm Lindsay
Principal cast
Tim Harris, Angus Lindsay, Sally Scott

Categories

Production Status

Production Company

Indivision Films

+44 (0)7941 031 179

contact@indivisionfilms.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

No Women No Children No Women No Children

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

As Time Swallows Time As Time Swallows Time

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.

Ten to Six Ten to Six

Director: Alessio Rupalti

Year: 2025

A retired physicist, tormented by decades of guilt for not having saved his wife from breast cancer, believes he has finally found a chance at redemption. Thirty-five years after her death, he visits a small café on the outskirts of London, where a young waiter he is about to meet, seemingly by chance, turns out not to be a stranger at all.