Bunnyhood
Synopsis
Official Selection Cannes Film Festival 2024 - La Cinef - World premiere
Official Selection Sundance Film Festival 2025
Official Selection Clermont-Ferrand International Short Film Festival 2025
Details
- Year
- 2024
- Type of film
- Shorts
- Running time
- 9 min 8 sec
- Format
- 2D hand-drawn traditional, experimental cel animation
- Director
-
Mansi Maheshwari
- Producer
- Ashionye Ogene
- Editor
- Kaupo Muuli
- Screenwriter
- James Davis, Anna Moore
- Director of Photography
- Adam Pietkiewicz
- Production Designer
- Dan Miskimmon
- Sound
- Alexander Faingold
- Composer
- Marcin Mazurek
- Principal cast
- Nina Wadia, Mansi Maheshwari, José Prats
- Lead Animator
- Ryan Power; Animation Assistants; Elizabeth Fraser, Paula Gonsalez, Kathryn Haddow, Beatrice Babbo, Lucas Fruen
Categories
Production Status
Production Company
NFTS (National Film and Television School)
StudiosStation Road
Beaconsfield
HP9 1LG
Sales Company
NFTS (National Film and Television School)
StudiosStation Road
Beaconsfield
HP9 1LG
Page updates
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Border as interface
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Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025