Burlesque
Synopsis
Details
- Year
- 2008
- Type of project
- Shorts
- Running time
- 10 mins 45 secs
- Format
- digiBeta transfer from S16mm
- Director
-
Tim Shore, Gary Thomas
- Producer
- Capture
- Executive Producer
- Capture
- Editor
- Tim Shore
- Director of Photography
- Martin Testar
- Composer
- Alvin Curran, Scanner
Genre
Categories
Production Status
Page updates
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See also
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Fits and Starts of Restlessness
Director: Tim Shore, Gary Thomas
Year: 2012
A night ‘walk’ tracing the path of the lost Fleet River, through the night time streets of London's Saffron Hill – once the site of a notorious rookery – and the place where Dickens located Fagin’s den in Oliver Twist.
A Skulk in London
Director: Polina Chizhova, James Stephen Wright
Year: 2018
The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.
I Only Do Real Things
Director: James Stephen Wright, George Finlay Ramsay
Year: 2020
Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.