Project Detail

Call For a Poetic City

Synopsis

The Nye family, who arrived in London from Australia in the '60s, were passionate about horses. They established a stable in Hyde Park, and have been doing a remarkable work at the community level for decades. They contributed to democratizing riding in the city, passing their dream from generation to generation. The camera captures the day-to-day routines and challenges of life at Ross Nye Stables with humour and poetry.

Premiere at the Melbourne Documentary Film Festival 2021

Details

Year
2020
Type of project
Features
Running time
60 min
Format
16:9
Director
Elisabeth Felson 1st Feature
Producer
Elisabeth Felson
Editor
Francesco Cibati
Director of Photography
Brian Fawcett
Sound
Matthew McCabe
Composer
Jonny Greenwood, Franz Liszt
Principal cast
Kirsty Anthony
Sound Editor / Remix
Michael F. Bates
Colorist
Vlad Barin

Categories

Production Status

Production Company

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Night Burns Like Cigarettes Night Burns Like Cigarettes

Director: Elisabeth Felson

Year: 2022

Why are we so afraid of the dark that we need to brighten the world around us? Shot at night on the "cult" Red Monochrome with Camerimage Winner DOP Mate Herbai, NIGHT BURNS LIKE CIGARETTES approaches Light Pollution through our intimate relation to darkness, torn between love & fear. An anti-consumerist ballad in the night, it has Lily Cole as a Narrator, and British-Zimbabwean singer and dancer Kwaye.

A young black girl around the age of 10yrs is sat crossed leg, in a big empty space and playing her guitar. There is a whole web of golden glowing music notes floating above her head. The Atlas of Sound

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.

Close-up of white-gloved hands holding a small, weathered bronze Roman artefact with a green patina, captured on grainy 16mm film. A Spirit, a Deity, a Barbarian? Captive in the Subterranean

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.