Cartography of Loneliness
Synopsis
The choice of these three countries which are so near each other and have significant ethnic and religious differences is not by chance. India is the country with the most widows in the world, totalling over 45 million. In Nepal, half of the female population is widowed or have been abandoned by their husbands: they are called "child widows" or baikaylas. Afghanistan has the highest proportion of widows in the world after 30 years of war.
Tradition, society and religion have determined the course of their lives following their husbands' deaths. Many widows are abandoned by their families, or victim of women trafficking, or condemned to social ostracism.
War, AIDS and child marriages are the main factors behind these figures.
After living with them for 4 months, there have been impressive stories in a very determined historical, social and religious context, and also the medicine, human rights and education are intertwined in their lives.
Details
- Year
- 2011
- Type of film
- Features
- Running time
- 68 mins
- Format
- HDTV
- Director
-
Nocem Collado 1st Feature
- Producer
- Nocem Collado
- Executive Producer
- Nocem Collado
- Editor
- Nocem Collado
- Screenwriter
- Nocem Collado
- Director of Photography
- Nocem Collado
- Sound
- Juan Egoscozábal
- Composer
- Javi Vega, Joaquín Calderón
- Collaborator
- Óscar Clemente
- Colour
- Jose Escrig
- Post-production
- José Jiménez, Adrián Morales
Genre
Categories
Production Status
Production Company
Sales Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.

Director: Hannah Berryman
Year: 2024
A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle. Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all. At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. Official Selection DOC NYC 2024 - World premiere Official Selection CPH:DOX 2025 - European premiere

Director: Barney Douglas
Year: 2026
The extraordinary story of Richard “Ric” O’Barry, once the world’s highest-paid dolphin trainer, now their most passionate defender, risking his life and liberty to free these remarkable creatures from captivity. In the 1960s, Ric was America’s leading dolphin trainer at the Miami Seaquarium and the celebrated trainer behind the hit TV series Flipper, whose smiling stars enchanted a generation. Everything changed after the apparent suicide of one of the show’s dolphins, Kathie - a moment that shattered his beliefs and set him on a radical path from insider to activist. For over 50 years, Ric has led a global campaign against dolphin captivity. As founder of Dolphin Project, he has risked arrest, injury, and personal loss to rescue dolphins and expose the industry’s darkest secrets. Both celebrated and criticised, he remains steadfast that every captive dolphin can be returned to the wild. Told through intimate family access, joyous underwater imagery, and covert filming, Ric’s mission has transformed a non-issue into a global movement. Now 85, he must ask: after a lifetime spent freeing others, can he finally set himself free?

Director: sister sylvester and Nadah El Shazly
Year: 2025
Constantinopoliad is an expanded documentary and installation that centers around the collective reading of a hand-made book. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn out pages in “Constantinopoliad, an epic”, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems.