Project Detail

Cat Skin

Synopsis

17-year-old Cat (Jodie Hirst) is a shy and troubled photography student at college in a small coastal town, who much prefers the company of her feline friend than her fellow students. Dealing with the burden of her ill mother in hospital and homophobia from a local bully, the artistic and shy loner lives her life behind the safety of her camera lens.
And that lens is focused on April (Faye Sewell), a lovely and popular music student with an overbearing mother and a hotheaded boyfriend who objectifies her.
Both lives are illuminated after April uncovers she’s been the main subject of Cat’s photography project and what should have been an awkward encounter turns into an unlikely friendship. Romance begins to blossom between Cat and April as their relationship evolves into something deeper. They learn to trust each other and themselves, all the while April’s disapproving mother threatens to keep them apart and her obsessive ex-boyfriend refuses to leave the picture.
A romantic coming-of-age drama.

Details

Year
2017
Type of project
Features
Running time
96 mins
Director
Daniel Grasskamp 1st Feature
Producer
Daniel Grasskamp
Executive Producer
Daniel Grasskamp
Editor
Daniel Grasskamp
Screenwriter
Daniel Grasskamp
Director of Photography
Joni Juutilainen
Production Designer
Marja-Lisa Hedenquist
Composer
Andrea Possee
Principal cast
Jodie Hirst, Faye Sewell

Categories

Production Status

Production Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

One Last Run One Last Run

Director: Daniel Grasskamp

Year: 2019

A highly focused athlete is out on a routine training run along an isolated undercliff path when he receives a world-shattering phone call from his concerned Mum who is watching "the biggest event in human history" unfold live on TV.

The image shows two people, a man sat down at a table and a woman leaning on the table looking straight at him. Arthur & Clara

Director: Kieran Bourne

Year: 2026

Arthur, a Black filmmaker struggling with his sense of identity and external expectations, retreats to a remote farmhouse with seven days left to finish his script. His solitude is quickly interrupted by Clara, a high-profile actress on the run from her press tour, seeking an escape from a life defined by words on a page. Searching for distance from the pressures that have led them here, Arthur and Clara initially resist one another. But as their fragile egos attempt to connect, their shared vulnerability leads them on an accidental journey of self-discovery, revealing what it truly means to be seen. Set against the quiet isolation of the British countryside, Arthur & Clara is an intimate exploration of identity and genuine connection. This is not a story about two people finding each other, but about two people finding themselves. Official Selection, Austin Film Festival 2026 - WORLD PREMIERE

Thomas, Anje, and a police officer inspecting the contents of a chest freezer Sabotør

Director: Adam Lavis

Year: 2027

Thomas and Anje have been struggling to conceive, but neither knows how to talk about what they’re going through. Anje pours herself into her family and caring for her demanding mother, while Thomas retreats into work and the purchase of their dream home. To Thomas, the house represents a chance for them to build a life away from Anje’s overbearing family, particularly her brother Hemming, a man seemingly incapable of tact, grace or decorum. But just as they are preparing to complete on the house, Thomas unexpectedly loses his job. With only fourteen days to find new employment before the bank withdraws their mortgage, he keeps the news from Anje, convinced he can solve the problem himself. When Hemming discovers Thomas’s secret, he immediately takes it upon himself to help. His increasingly bizarre solutions draw in dubious acquaintances, eccentric family members and, eventually, the attention of the law. What begins as a quiet domestic crisis gradually descends into farce, as Thomas’s determination to solve everything alone threatens to sabotage the family and future he has been trying so desperately to protect.