Cladach

Director: Margaret Salmon

Year: 2016

An intimate and vivid account of a young girl’s real and fantastical adventure in a remote forest one evening. Glasgow-based artist-filmmaker Margaret Salmon's debut feature is not only a loving homage to classic children’s films such as Ray Ashley’s 'Little Fugitive', Jean Renoir’s 'The River' and Albert Lamorisse’s 'The Red Balloon', but draws from nature studies of the past, such as Mary Field’s 'Secrets of Nature' series. Shot on 35mm in various locations around Scotland, Salmon draws inspiration from a range of cinematic movements as well as wildlife documentaries to produce a lyrical and sensual portrait of a child’s eye perspective on the natural world. (LFF brochure) Official Selection BFI London Film Festival 2016 - Experimenta Strand - World premiere

Director: Gabi Dao, Lou Lou Sainsbury

Year: 2025

A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow. Official Selection BFI London Film Festival 2025 - World premiere

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025