Cladach

Director: Margaret Salmon

Year: 2016

An intimate and vivid account of a young girl’s real and fantastical adventure in a remote forest one evening. Glasgow-based artist-filmmaker Margaret Salmon's debut feature is not only a loving homage to classic children’s films such as Ray Ashley’s 'Little Fugitive', Jean Renoir’s 'The River' and Albert Lamorisse’s 'The Red Balloon', but draws from nature studies of the past, such as Mary Field’s 'Secrets of Nature' series. Shot on 35mm in various locations around Scotland, Salmon draws inspiration from a range of cinematic movements as well as wildlife documentaries to produce a lyrical and sensual portrait of a child’s eye perspective on the natural world. (LFF brochure) Official Selection BFI London Film Festival 2016 - Experimenta Strand - World premiere

Director: Hannan Jones

Year: 2025

In the subterranean archive of the National Roman Legion Museum, where artefacts and imperial debris trace Britain’s imperial past, the possible first depiction of a Welshmen or “barbarian” becomes a catalyst to unsettle imperial narratives and surface long-suppressed voices.

Director: Siobhan Silén

Year: 2027

An animated VR short inspired by autistic musician Jen Msumba, who defies a system designed to erase her through synaesthetic music-making. It explores the universal need to be accepted for who we are. Participants journey through Jen’s life, from childhood, when the world feels confusing and “wonky”. Music is her safety and compass. While others read notes on a page, Jen sees visual maps that help her express emotions and navigate uncertainty. As a teenager, Jen’s mother becomes ill and her anxiety overwhelms her. Years of psychiatric institutions and medication leave her sedated, unable to play instruments. Her family sends her to the Judge Rotenberg Center, whose practices will later be described by the United Nations as torture. Over seven years of confinement and painful electric shocks, Jen is taught to believe she is “wrong”. Secretly composing music in her head becomes her refuge. Realising the centre will not support her independence, Jen writes to a judge and wins her freedom. She rediscovers music and invites us into her musical map, where participants touch and transform notes through movement, shifting melodies from classical to punk rock. We end with Jen performing on stage.