Project Detail

Colouring the Media

Synopsis

Coloring the Media begins with the premise that since the invention of the camera, Native Americans were the very first people to be documented either in photographs or in moving pictures. This film explores this journey as European Americans used the camera as a propaganda tool to depict native peoples in America as less than human. Through the development of stereotypes, and inadequate research, early films depicting native peoples set into motion a language of film that is still being used today. This language came to affect all peoples of colour around the world as they were often portrayed as ignorant or noble savages whose only good was to make the European look superior, civilized and just in their cause - which was more often than not the civilization of the savage.

By using contemporary films such as Smoke Signals; and documentaries such as Healing the Hurts and Spirit combined with interviews with Native people, Coloring the Media takes us on a journey and asks how the past can affect the present and shape the future for Native Americans and also for people of color. As Black and Asian people living in Britain speak about their experiences and the struggles they face today, we see how the language of film set into motion in the early 20th century still plays an important part in the portrayal of people of colour.
Coloring the Media offers a refreshing investigative insight into the past and present. For future generations it offers a solution of change through the voices of people, and asks one important question: 'What is it going to take to make this change happen, now, today?'
 

Details

Year
2005
Type of project
Features
Running time
47 mins
Format
DV
Director
Carlisle Antonio
Producer
BBC, Skillset, Millennium Commission
Co-Producer
BBC, Skillset, Millennium Commission
Editor
Carlisle Antonio
Screenwriter
Carlisle Antonio
Director of Photography
Mike Catherwood
Sound
Mike Catherwood, Nik Mather, Carlisle Antonio
Composer
John Trudell, Peter Buffet
Principal cast
Several contributors

Production Status

Production Company

american.indian@blueyonder.co.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Butterfly Butterfly

Director: Itonje Søimer Guttormsen

Year: 2026

Two estranged sisters reunite in Gran Canaria after their parents’ deaths, only to inherit an unfinished resort and esoteric retreat. Official Selection International Film Festival Rotterdam 2026 - World premiere

Kevin & Cassandra Kevin & Cassandra

Director: Ali Kinteh, Damien Nembhard

Year: 2026

Kevin and Cassandra are a married couple who have lost their only daughter Hannah in a freak car accident. They both raised her differently. Kevin had been a traditional parent, Cassandra a permissive one. While Hannah had decided to exhibit her body and mind online, she cut adrift from her father and gravitates towards her mother. Her death drove a wedge between them. Their lounge becomes a battlefield where incendiary words and spiteful things are said. Their marriage is one where opposites no longer attract. Kevin is filled with loathing for his in-laws, his daughter’s boyfriend, himself. Cassandra wears her daughter’s favorite colours with pride and exhibits her painting on the walls. Kevin finds he is powerless in his home and Cassandra mocks the fact that it was her father who bought it. And when he finally leaves it, he leaves Cassandra forever.

Allies in Exile Allies in Exile

Director: Hasan Kattan

Year: 2026

For 14 years, Syrian filmmakers Hasan Kattan and Fadi Al-Halabi have journeyed together through war and storytelling. Their bond was forged on the frontlines of revolution where their cameras recorded terror and hope, laughter and heartbreak – moments that defined a generation. Years later, their story takes an unexpected turn. Confined inside a UK asylum hotel, Hasan and Fadi document a new chapter shaped not by bombs, but by waiting, bureaucracy, and exile. Amid rising anti-refugee hostility, they turn the camera inward exploring friendship and displacement and how filming itself becomes an act of survival when the future is so uncertain. Official Selection International Film Festival Rotterdam 2026 - World premiere