Project Detail

Cosmico

Synopsis

Consumed by an insatiable hunger from outer space, a high-flying nobleman unleashes a painful renaissance beyond the wildest dreams of Florence. But can he escape the consequences of the ultimate rebirth?
Peoples of the Earth, beware of Duke Cosmico: you are what he eats.

Details

Year
2014
Type of film
Shorts
Running time
3 mins 20 secs
Format
Animation (2D)
Director
C.J. Lazaretti
Producer
C.J. Lazaretti
Executive Producer
C.J. Lazaretti
Editor
C.J. Lazaretti
Screenwriter
C.J. Lazaretti
Sound
C.J. Lazaretti
Principal cast
C.J. Lazaretti

Production Status

Production Company

Self-funded, independent production by C.J. Lazaretti.

Tel: +44 (0)7511710656

Sales Company

Same as Production Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Turtle Terminator The Turtle Terminator

Director: C.J. Lazaretti

Year: 2017

Bitten by a turtle in his childhood, a man remembers the effect that the scar has had on his love life. Following its protagonist's fragmented recollections through childhood, youth and old age, The Turtle Terminator conjures up a lifetime of romantic mishaps through unreliable memories, youthful enthusiasm and unbearable heartbreak.

The skull reliquary of Saint Mary Magdalene in RESURRECT ME AS A PARASITE Resurrect Me As a Parasite

Director: Gabi Dao, Lou Lou Sainsbury

Year: 2025

A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow. Official Selection BFI London Film Festival 2025 - World premiere

Border as interface Border as interface

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025