Cotswolds: Field and Folk

Director: Yvonne McDevitt

Year: 2026

Structured as a psychogeographic voyage, the film explores place, memory, and sensation through the inner life of a poet whose sense of self gradually dissolves into cinematic reflection. Departing from conventional documentary forms, EVERY MOON IS ATROCIOUS invites audiences into a layered sensory environment where image, sound, and language operate associatively. At its core lies the poetry of the late Niall McDevitt (1967-2022), whose work forms the conceptual and emotional spine of the film, shaping a trance-like rhythm that mirrors the protagonist’s journey towards death and the unknown. Yvonne McDevitt’s filmmaking resists separating form from feeling. Dreamlike visuals, intense durational shots, and richly layered sound design prioritise emotional resonance over linear narrative. Fragmented imagery and superimpositions draw viewers into a meditative mode, presenting the film as a cinematic drift that charts inner terrains as much as physical ones. Movement through cities and coastlines becomes inseparable from movement through memory, grief, and desire. Official Selection Dublin International Film Festival 2026 - World premiere

Director: Joseph a. Adesunloye

Year: 2026

A radical Black Queer photographer and archivist challenges respectability politics through his intimate portraits, reclaiming the right to represent Black desire, pleasure and memory on his own terms.

Director: Angela Clarke

Year: 2026

Imagine hearing your own body: eyes scratching, blood rushing, bones creaking, your heartbeat pounding endlessly. For most, it’s unthinkable. For Dave, it’s daily life. Since 2000, he has lived with Superior Semicircular Canal Dehiscence Syndrome (SCDS), a rare disorder that turns his body into an echo chamber. This immersive short documentary draws viewers into Dave’s sonic reality through raw narration, stark black-and-white imagery, and an unsettling soundscape. As he recounts years of misdiagnosis and disbelief, the film explores resilience and isolation, ultimately asking why we doubt invisible pain and how empathy begins by truly listening to what we cannot see.