Creation
Synopsis
Torn between his love for his deeply religious wife and his own growing belief in a world where God has no place, Darwin finds himself caught in a struggle between faith and reason, love and truth.
This is not the grey-bearded old man that most people imagine when they think of Darwin. The Darwin we meet in Creation is a young, vibrant father, husband and friend whose mental and physical health gradually buckles under the weight of guilt and grief for a lost child.
Ultimately it is the ghost of Annie, his adored 10 year-old daughter who leads him out of darkness and helps him reconnect with his wife and family. Only then is he able to create the book that changed the world.
Details
- Year
- 2009
- Type of project
- Features
- Running time
- 107 mins
- Format
- 35mm
- Director
-
Jon Amiel
- Producer
- Peter Watson, Nick O' Hagan, Jamie Laurenson, David Thompson, Christina Yao
- Co-Producer
- Peter Watson, Nick O' Hagan, Jamie Laurenson, David Thompson, Christina Yao
- Editor
- Melanie Oliver
- Screenwriter
- John Collee
- Director of Photography
- Jess Hall
- Production Designer
- Laurence Dorman
- Sound
- John Midgley
- Composer
- Christopher Young
- Principal cast
- Paul Bettany, Jennifer Connelly, Toby Jones, Jeremy Northam, Benedict Cumberbatch, Martha West
Genre
Categories
Production Status
Production Company
Jeremy Thomas
Recorded Picture Company24 Hanway Street
London W1P 9DD
UK
T +44 (0)20 7636 2251
Sales Company
Tim Haslam
HanWay Films24 Hanway Street
London W1T 1UH
UK
T +44 (0)20 7290 0750
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Pheasant
Director: Claire Molloy
Year: 2026
A drama set in rural England amidst the backdrop of World War II exploring themes of identity, belonging, and the impact of war on personal lives - highlighting the human capacity for both empathy and cruelty in times of crisis. Martha, an 11-year-old mixed-race girl, is evacuated from London to the northern English countryside. Martha finds herself in the care of a gruff gamekeeper and his family. Feeling isolated and rejected due to her racial background and the community’s war-induced tensions, she tries to adapt to her new life, becoming captivated by the natural beauty of the countryside. Martha forms a secret friendship with Enzo, an Italian POW, whose gentle demeanour and shared sense of displacement draw them together. Martha also navigates a complex relationship with George, the gamekeeper's son, who is torn between his familial prejudices and his growing fondness for Martha.
Gowk
Director: Ryan Pollock
Year: 2025
Set in the decaying housing estate of Gowkthrapple and based on a true story, Gowk follows a young boy as he begins to uncover a painful family secret. His mother’s sudden absence casts a shadow over the household, while his father, unable to express his own suppressed pain, keeps the truth of the incident buried. As the boy begins to realise the emotional weight of his family’s past and the fragility of its present, he navigates a world of unspoken truths and generational wounds. The film explores the cyclical nature of family bonds, the struggle to connect across generations, the impact of inherited trauma, and the beginnings of a premature loss of innocence.
Grandboy
Director: Eva Edo
Year: 2026
A poignant drama exploring young carers, dementia, and the power of intergenerational love. Set over one day, 13-year-old Ezra secretly cares for his grandmother Agnes after his mother disappears. As Agnes’s dementia worsens and their home slips into chaos, Ezra struggles to cope and keep the truth from everyone. When Agnes’s medication runs out, Ezra’s forced beyond the safety of the house, dodging a watchful neighbour, a concerned friend, and police conducting door-to-door enquiries. Pressure mounts when Agnes’s agitation spirals and the knock at the door becomes unavoidable. Under police questioning, Ezra’s secret unravels, prompting a fleeting moment of recognition from Agnes. To protect them both, Ezra must decide whether to accept help, even if it means losing the person he loves most.