Curiosa
Synopsis
Details
- Year
- 2022
- Type of project
- Shorts
- Running time
- 9 min 35 sec
- Format
- Cinemascope 2K Flat
- Director
-
Tessa Moult-Milewska
- Producer
- Sychelle-Kristina Yanda
- Executive Producer
- Tessa Moult-Milewska
- Editor
- Giorgia Zarantonello
- Screenwriter
- Matthew Dickie, Tessa Moult-Milewska
- Director of Photography
- Rob O'Kelly
- Production Designer
- Sehar Kidwai
- Sound
- Alexander Huebner
- Composer
- Caspar Leopard
- Principal cast
- Lizzie Waterworth-Santo, Luna Tosin, Dan Connolly, Malik Ibheis
- Lead Animator
- Ollie Griffiths
Genre
Categories
Production Status
Production Company
National Film and Television School (NFTS)
Hemant ShardaStation Road
Beaconsfield
HP9 1LG
Page updates
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See also
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Elephant Families
Director: Elena Escalante
Year: 2025
A wave of regeneration is hitting London’s working-class neighbourhoods. South of the river, the demolition of Elephant & Castle’s shopping centre has uprooted the community who made it their own. As they navigate an uncertain future, they carry with them the legacy of a place that once felt like home. Official Selection BFI London Film Festival 2025 - Short Film Competition - World premiere
The Big Bad Wolf
Director: Leo Wright
Year: 2024
After discovering the power of the humble brick, pigs forged ahead into the industrial revolution building houses, factories and shops to wolf-proof their lives. This is the story about a little piggie named Richmond who befriends a not-so-big bad wolf named Billy, much to the outrage of his father. Set in the Black Country, this film is about friendship, inclusivity and not judging a wolf by its cover. Official Selection BFI London Film Festival 2025
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025