Project Detail

Cut Sleeve Boys

Synopsis

Mel and Ash are two British Chinese gay men who studied together. After attending the funeral of Gavin, a closeted friend from their university days, they start examining the crow's feet on their faces and questioning the meaning of the labels in their wardrobes.

Mel, an aging scene queen with the ego of Norma Desmond, believes life is a beauty pageant with him always the winner. He rejects the love of Todd, a provincial boy from the Welsh valleys who moves to London to be with him, in favour of quick-fix sex to fight his insecurities. But how long can he sashay down the catwalk when his eye bags are bigger than his Gucci bags?

Ash is tired of the jaded gay scene where steroid bodies and the Atkin's diet are the only offerings on the menu. He meets Diane (a.k.a Dan) a transexual from their college days with a butch, sexy and straight looking ex army boyfriend, Ross. Ash decides the only way for him to find a real man is to cross dress. Will his foray into the wonderland of tranny burrows and tranny chasers bring him his dream man?

With an underground drag club, sex in public toilet and an all male production of the Miss Pacific Rim Beauty Pageant, Cut Sleeve Boys is a quirky stir fried journey of self discovery and a makeover of the British Chinese gay experience.
 

Details

Year
2007
Type of project
Features
Running time
86 mins
Format
HiDef
Director
Ray Yeung 1st Feature
Producer
Chowee Leow
Co-Producer
Chowee Leow
Editor
Catherine Fletcher, Anuree DeSilva
Screenwriter
Ray Yeung
Director of Photography
Patrick Duval
Production Designer
Malin Lindholm
Composer
Paul Turner
Principal cast
Chowee Leow, Steven Lim, Gareth Rhys Davies, Neil Collie

Categories

Production Status

Production Company

Rice is Nice Productions Ltd.

18 St James Street
London W6 9RW
UK

T +44 (0)20 8746 3784

Sales Company

Fortissimo Films

Head Office
Veermarkt 77-79
1019 DA Amsterdam
The Netherlands

T +31 20 627 3215

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A demon wearing a mask carrying an axe attacks. Grin

Director: Lawrence Fowler

Year: 2026

Following a horrific crime committed when they were young, a group of four friends think it will remain a secret forever until they discover and play a vintage board game. When the game unwittingly summons the grotesque clown demon ‘Grin’, it soon becomes clear the demon targets those who have committed terrible sins. Official selection FrightFest 2026

Band playing on stage The Public

Director: Asa Gartland

Year: 2026

The Public have just played the best gig of their lives, and for the first time, someone in a suit is interested. It feels like the moment they have been waiting for, but celebrations quickly descend into chaos. Andy, the band's quiet and devoted guitarist, watches as his dream begins to dissolve around him. A chain reaction is set in motion as secrets are exposed, loyalties shift, and buried tensions explode to the surface. As the night spirals further out of control, the frontman, Ted, is pulled toward a future that could take him away for good. Andy becomes desperate to save Ted from himself and hold everything together, even as it becomes clear that some things will never be the same.

Dinner table scene, psychological control, the wife is subject to a societal trial and judgement influenced by her abusive husband. (In)Visible

Director: Sam Joseph

Year: 2025

(IN)VISIBLE explores the psychological effects of domestic abuse and society’s complicity in trial and judgement. A young wife, abused by her older husband, is misread as cold and detached while he charms his friends. When he suddenly leaves during a very awkward and tense pre-dinner gathering against the backdrop of a symbolic art exhibition, she finds herself at the centre of an uncomfortable, damning trial by those who only know his version of the story. The trial unfolds around a contemporary table setting, echoing iconic scenes from art history, showing the historical repeated patterns of how women are seen, silenced, and judged. The film’s emotional power lies in what remains unsaid, and it reveals the insidious nature of domestic abuse and the ease with which a perpetrator can shape a victim's story; in this narrative, the wife endures a hostile societal trial and judgment with strength, dignity and resilience.