Dame Flora
Synopsis
Details
- Year
- 1999
- Type of project
- Shorts
- Running time
- 25 mins 30 secs
- Format
- 16mm
- Director
-
Jack Rochon
- Producer
- The London International Film School
- Executive Producer
- The London International Film School
- Director of Photography
- Bjørn Bothun
- Principal cast
- Julia Foster, Gordon Reid, Finty Williams, Paul Alexander, Henrietta Voights, Jayne Boniface
- Film Stock
- Kodak, Agfa, Fuji Screen Writer: Jack Rochon
Categories
Production Status
Production Company
The London International Film School 24 Shelton Street, Covent Garden, London WC2H 9HP Tel: 020 7240 0168/020 7836 9642 Fax: 020 7497 3718 Email: lifs@dial.pipex.com
Sales Company
as Production Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Wrath of Gods
Director: Justin Hardy
Year: 2026
Nestled in the North Sea, between the Northern tip of Scotland and the coasts of Scandinavia, Hel is cloaked in mystery, myth and misogyny. Isolated in a place where the local community despise her, and whilst buried traumas resurface, Anna is torn between the ghosts of the past and the gods of the present. As an ill wind blows through, young girls from this fractured community begin to vanish. These missing children, her husband’s death and her own trauma become inextricably linked as Anna is haunted by unsettling flashbacks, forcing her to confront dark family secrets lurking in the shadows, before they can devour her daughter too.
Wuthering Heights
Director: Emerald Fennell
Year: 2026
A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.
Chinaman
Director: Rob Chiu
Year: 2026
In 1989, Wong, a first-generation immigrant, and his mixed-race son, Andy, face a challenging evening at their Chinese takeaway. Dealing with impatient customers and mixed-up orders adds to their frustration. Tensions rise when Wong’s eldest son, Kenny, arrives late for work. Their strained father-son relationship unfolds in front of customers. When a group of drunk, racist customers enter the takeaway tensions escalate further.