Dead Long Enough
Synopsis
Details
- Year
- 2006
- Type of film
- Features
- Running time
- 85 mins
- Format
- 35mm
- Director
-
Tom Collins
- Producer
- Paul Donovan
- Editor
- Glyn Shakeshaft
- Screenwriter
- James Hawes
- Director of Photography
- P.J. Dillon
- Composer
- John Hardy
- Principal cast
- Michael Sheen, Jason Hughes, Angeline Ball, Douglas Henshall
Categories
Production Status
Production Company
Grand Pictures
44 Fontenoy StreetDublin 7, Ireland
T+353 1 860 2290
Sales Company
Media Luna Entertainment GmbH and Co. KG
Hochstadenstrasse 1-3D-50674 Cologne, Germany
T +49 221 801498 12
Page updates
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See also
You may also be interested in other relevant projects in the database.

Director: Tom Collins
Year: 2008
A universal story of disenfranchisement and search for identity. In the mid 1970s, a group of six young men left their homes in the West of Ireland, took the boat out of Dublin Bay and sailed across the sea to England in the hope of making their fortunes and returning home. Thirty years later only one, Jackie Flavin, makes it home - but does so in a coffin. Jackie's five friends reunite at his wake where they are forced face up to the reality of their alienation as long term emigrants who no longer have any real place to call home.<br /> <br /> Directors Guild of America / Directors Guild of Ireland Award to Tom Collins.<br /> <br /> Kings winner of Five Irish Film And Television Awards, including Special Irish Language Award.<br /> <br /> Kings winner of Kodak Best Cinematography at Hamptons Film Festival.

Director: Tom Collins
Year: 2002
Veteran BBC Radio DJ John Peel takes his first visit to Derry and discovers for himself the band that forged his favourite pop song 'Teenage Kicks'.<br /> <br /> The film, through the use of archive footage, including previously unseen material of Derry and The Undertones, takes us back to 1975. To a time when it would have been normal, even expected, for five Derry teenagers to get together and have a riot. The Undertones got together, formed a band and created their own form of riot, bursting into a vigorous and joyous celebration of their own existence. The band was made up of former choirboy and distinctively voiced lead singer Feargal Sharkey, the O'Neil brothers, John and Damian, played guitars. Michael Bradley joined in with bass and Billy Doherty beat the drums.<br /> <br /> Peel takes us on a journey of discovery in which he expresses his amazement at the band's innocence, the completely artless way in which they resisted all hype and packaging. The Undertones would play to packed houses of adoring fans and then go home to Derry, to parents who waited up for them. Reared in a town where the most abhorred social disgrace was to get above yourself, they refused to take it seriously.

Director: Tom Collins
Year: 1998
The screenplay was inspired by a remark heard when filming Civil Rights activist Bernadette Devlin for the documentary 'Mother Ireland'. Devlin said that, although the wall pointed to 'Free Derry', she felt that behind the wall women were certainly not free. This is the story of some of those women. <br /> <br /> <br /> <br /> <br /> <br /> Bogwoman is the tragicomic story of three women. The story is based on research from Derry women who lived through the '60s and it follows the lead character Maureen as she moves from the Bogs of Donegal to the Bogside of Derry. The film focuses on how this naive country woman forges a life in her new community to which she has come to guarantee a future for her young son and to meet and marry her future husband, Barry. The film utilises home movie and archive footage of the time and is an ambitious and innovative attempt to recreate the story of those who found themselves Bogwoman.