Digitopia

Director: John Akomfrah

Year: 2010

Twenty years after his departure to the Trojan War, Odysseus still has not returned home. So his son, Telemachus sets off an epic journey in search of his lost father. So begins Homer's epic poem, The Odyssey - the narrative reference point for John Akomfrah's unusual and genre defying story about chance, fate and redemption. <br />  <br /> Structured as an allegorical fable and loosely inspired by existential science fiction, The Nine Muses is a stylised, unusual and idiosyncratic retelling of the history of mass migration to post-war Britain through the suggestive lens of the Homeric epic. <br />  <br /> Divided into nine overlapping musical chapters and mixing a vast array of archival material, The Nine Muses is a modern recasting of Homer's epic as a 'song cycle' about journeys, migration, memory and the power of elegy.

Director: John Akomfrah

Year: 2001

Goldie, the Godfather of Drum and Bass, takes us on a roller coaster ride through his frenetic life. A journey that takes us from Wolverhampton to Tokyo, Miami to Hong Kong; through his years in council care and his life as a musician and international pop star. Along the way we meet his family, his collaborators and his celebrated friends, David Bowie and Noel Gallagher.

Director: John Akomfrah

Year: 1998

By the side of a road somewhere in the North of England, Sammy stands and waits for the arrival of childhood friends Billy and Ruby. It is twenty years since they all first met, when Sammy was taken by social workers to join an isolated children's home on the dramatic Northumbrian coast. As Sammy gets into Billy and Ruby's car it is immediately clear that, despite the fact that Ruby is recently pregnant, there is violent tension between them and that there is a psychological significance to the mysterious journey that Billy is taking them on.<br /> <br /> <br /> As the journey progresses, we travel back to the past of their childhood when Sammy, shy and vulnerable and unable to read, joins the home. Billy, confident and charismatic, befriends and guides him through the trials of life in the home and protects him from the violent attentions of the resident bully, Bernie. As Sammy grows in confidence, Billy encourages a romantic attachment with his old girlfriend, the flame-haired Ruby. Using his emotional power over his friends, Billy establishes a ménage a trois that sets them apart from other children in the home. This power is threatened when, in a dramatic incident, Billy tries to defend Sammy from Bernie and gets savagely beaten. The resulting act of revenge is one which will inextricably bind the three friends through the intervening years until the pressure of the past and present combine to force an inevitable resolution.