Douglas Gordon by Douglas Gordon

Director: Finlay Pretsell

Year: 2017

Focusing on the final races of cyclist David Millar’s career, leading up to his last encounter with the Tour de France. The camera goes inside the peloton, is pushed up impossible climbs and forced down rapid descents, lies alongside David in his hotel room in post-race agony. The camera also rides in the support car, the source of comfort, supplies and fleeting relief from the cold. And all in the knowledge that every mile travelled is a mile closer to the end. This film reveals how the human spirit is driven by a force deeper than success and glory. Official Selection IDFA 2017 - World premiere

Director: Yvonne McDevitt

Year: 2026

Structured as a psychogeographic voyage, the film explores place, memory, and sensation through the inner life of a poet whose sense of self gradually dissolves into cinematic reflection. Departing from conventional documentary forms, EVERY MOON IS ATROCIOUS invites audiences into a layered sensory environment where image, sound, and language operate associatively. At its core lies the poetry of the late Niall McDevitt (1967-2022), whose work forms the conceptual and emotional spine of the film, shaping a trance-like rhythm that mirrors the protagonist’s journey towards death and the unknown. Yvonne McDevitt’s filmmaking resists separating form from feeling. Dreamlike visuals, intense durational shots, and richly layered sound design prioritise emotional resonance over linear narrative. Fragmented imagery and superimpositions draw viewers into a meditative mode, presenting the film as a cinematic drift that charts inner terrains as much as physical ones. Movement through cities and coastlines becomes inseparable from movement through memory, grief, and desire. Official Selection Dublin International Film Festival 2026 - World premiere

Director: Joseph a. Adesunloye

Year: 2026

A radical Black Queer photographer and archivist challenges respectability politics through his intimate portraits, reclaiming the right to represent Black desire, pleasure and memory on his own terms.