Dude Down
Synopsis
Official Selection BFI London Film Festival 2016 - Experimenta Strand - World premiere
Details
- Year
- 2016
- Type of project
- Shorts
- Running time
- 17 mins
- Director
-
George Barber
- Producer
- George Barber
- Editor
- Lionel Johnson
- Screenwriter
- George Barber
- Director of Photography
- George Barber
- Sound
- Sound Design: Lionel Johnson
- Computer Animation
- Damon O'Connell
Genre
Categories
Production Status
Production Company
Page updates
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See also
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Akula Dream
Director: George Barber
Year: 2015
In 'Akula Dream' a Russian Akula submarine gets a new captain. However, the new captain is much more into Shamanic drumming, journeying, seances, and mind experiments than he is in nuclear deterrent. Not surprisingly, there is some tension aboard. In form, the film straddles two registers; narrative film making and video art. It uses advanced CGI and has unusual dream sequences as members of the boat travel outside the hull. Official Selection BFI London Film Festival 2015 - Experimenta Strand - World premiere
Upside Down: minutiae
Director: George Barber
Year: 2002
Three people strung upside down on a truck, taken on a short drive, describe what they see and hear. We hear their immediate reactions to being upside down plus a sense of their changes of outlook during their lives.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026