Ecology
Synopsis
Details
- Year
- 2008
- Type of film
- Features
- Running time
- 97 mins
- Format
- DigiBeta
- Director
-
Sarah Turner 1st Feature
- Producer
- Sarah Turner
- Editor
- Sarah Turner
- Screenwriter
- Sarah Turner
- Director of Photography
- Matthew Walter, Alia Syed, Sarah Turner
- Sound
- Sarah Turner
- Principal cast
- Caroline Jay, James Fennell-Barker, Georgia Brown
Genre
Categories
Production Status
Production Company
Sarah Turner
7 Greencoat MansionsGreencoat Row
London SW1P 1PG
UK
21 West Cliff (Studio)
WhitstableKent CT5 1DN
UK
T +44 (0)7960 110403
sturner@bewitched.demon.co.uk
Sales Company
Sarah Turner
7 Greencoat MansionsGreencoat Row
London SW1P 1PG
UK
21 West Cliff (Studio)
WhitstableKent CT5 1DN
UK
T +44 (0)7960 110403
sturner@bewitched.demon.co.uk
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See also
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Director: Sarah Turner
Year: 2016
In 2012, the Ivy House pub in Peckham was sold to property developers as part of the ongoing gentrification of south London. The locals opposed it. Unfolding from this scenario, the film weaves verbatim testament into folk operatic form with the Ivy House itself, embodied and imagined as a central character and inhabited by the memories of the generations who have passed through its doors. Sarah Turner films the community’s creative reanimation of the mourned pub through dance, poetry and song... which both records and creates a vision of social possibility... The activism that saved the pub is a metaphor for social and creative agency. This is not just a film about resistance; it is a film that itself refuses categorisation... a triumphant genre-blending documentary which turns community action into an exhilarating participatory opera. (London Film Festival)<br /> Public House premiered in the documentary competition at the 2015 BFI London Film Festival and was nominated for the Grierson Award. The film has since been re-edited and remastered in a new version for wider audiences.

Director: Sarah Turner
Year: 2010
An autobiographical documentary, a fiction that's also an essay and an extended poetic meditation on the ability of the image to represent experience. <br /> <br /> Sarah Turner's film is a ghost story that explores what we forget and how we remember. The stunning imagery comes solely from the window of the Trans-Siberian train, shot first in 1988 and then again in 2008, and culminating at the haunting expanse of Lake Baikal, the deepest lake in the world.<br />

Director: Sarah Turner
Year: 2000
A woman travels to a bar to meet her date. As the evening falls short of her expectation she returns home alone. Shot with an extraordinary visual and lyrical complexity, Cut tracks the path of the woman's psyche as events unravel, culminating in a ritual of astonishing intensity.