Embers from Yesterday, Aflame.

Director: William Hong-xiao Wei

Year: 2025

Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.

Director: William Hong-xiao Wei

Year: 2020

Somewhere in the world there is a remote island. In a lodge by the sea, a Chinese writer immersing herself in reading and writing encounters a Japanese girl who is in a melancholic mood. What has happened and what the two girls are feeling, imagining or remembering starts to overlap.

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026