Every Good Marriage Begins with Tears
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 62 mins
- Director
-
Simon Chambers 1st Feature
- Producer
- Simon Chambers
- Editor
- Benjamin Putland
- Composer
- Odithi Mohsin
Genre
Categories
Production Status
Production Company
Simon Chambers Films
116 Teesdale StreetLondon E2 6PU
UK
T +44 (0)20 7729 7970
simonchambersfilms@yahoo.co.uk
Sales Company
Simon Chambers
116 Teesdale StreetLondon E2 6PU
UK
T +44 (0)20 7729 7970
simonchambersfilms@yahoo.co.uk
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Cowboys In India
Director: Simon Chambers
Year: 2009
Orissa, India - where tribal people fight with their bows and arrows against multinational mining moguls from London. The filmmaker, aided by two endearing, bumbling local guides, searches for answers amongst conflicting allegations, as the truth becomes more and more elusive. A humorous film about a serious subject.
The Company We Keep
Director: Simon Chambers
Year: 2005
When the film maker's grandmother tells him that one day he will inherit her shares in the mining corporation Rio Tinto, he heads off around the UK to investigate the company's legacy at home. But the light hearted comedy soon turns sour.
Children of Here
Director: Rabie Mustapha
Year: 2026
In this participatory documentary, filmmaker Rabie Mustapha works with a group of children living in Northern Ireland to tell stories about their family life and cultural backgrounds. Despite the children’s globalised nature, they manage to bring in an insight to specific cultural journeys from Al-Nuba, Halab and the Northern Irish countryside. We see Maya, an inquisitive 9 year old girl whose hobby is to deliver shocking facts within a deadpan and to ask deep philosophical questions. Through an interview with her mom we learn about her Nubian heritage and a long history of generations displacement. Mahmoud and Khalid on the other hand are more calm and observant. Through their filmmaking journey we learn about their Syrian and Turkman heritage. With Mila we see the countryside of Limavady and learn about a more relaxed way of living where children are more connected to nature and where the girl’s artistic abilities are developing. Through this pluralistic film Northern Ireland is portrayed as a changing place with more than one face.