Everything Is Everyday

Director: Patrick Tarrant

Year: 2016

By shooting through the take-up reel of a 16mm film projector, this experimental nature documentary remediates the iconic landscape of the American south-west to unnerving effect. Official Selection BFI London Film Festival 2016 - Short Film Competition - Experimenta Strand

Director: Patrick Tarrant

Year: 2015

"'Phi Phenomenon 2' is a 100ft restaging of Morgan Fisher’s 1968 film 'Phi Phenomenon'. Shot on out-of-date stock, and featuring a clock fortuitously found on ebay, the film is the result of multiple experiments with hand processing in a rewind tank. Fisher's film adresses the fact that, as with the phi phenomenon, we see movement in film where no actual movement is presented to the eye... To grapple with movement here is to grapple with both speed and transparency, and in this remake the transparency of the apparatus is foregone so that the slow speed of the minute-hand must compete with the fast and furious activity of the animated artefacts rattling through the projector to film's own beat." Patrick Tarrant Official Selection BFI London Film Festival 2015 - Experimenta Strand

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.