Everything Is Everyday
Synopsis
Details
- Year
- 2011
- Type of project
- Shorts
- Running time
- 10 mins 17 secs
- Format
- HD
- Director
-
Patrick Tarrant
- Editor
- Patrick Tarrant
- Principal cast
- Barry Evirid
Genre
Categories
Production Status
Page updates
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See also
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The Trembling Giant
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Year: 2016
By shooting through the take-up reel of a 16mm film projector, this experimental nature documentary remediates the iconic landscape of the American south-west to unnerving effect. Official Selection BFI London Film Festival 2016 - Short Film Competition - Experimenta Strand
Phi Phenomenon 2
Director: Patrick Tarrant
Year: 2015
"'Phi Phenomenon 2' is a 100ft restaging of Morgan Fisher’s 1968 film 'Phi Phenomenon'. Shot on out-of-date stock, and featuring a clock fortuitously found on ebay, the film is the result of multiple experiments with hand processing in a rewind tank. Fisher's film adresses the fact that, as with the phi phenomenon, we see movement in film where no actual movement is presented to the eye... To grapple with movement here is to grapple with both speed and transparency, and in this remake the transparency of the apparatus is foregone so that the slow speed of the minute-hand must compete with the fast and furious activity of the animated artefacts rattling through the projector to film's own beat." Patrick Tarrant Official Selection BFI London Film Festival 2015 - Experimenta Strand
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026