Everything Is Everyday

Director: Patrick Tarrant

Year: 2016

By shooting through the take-up reel of a 16mm film projector, this experimental nature documentary remediates the iconic landscape of the American south-west to unnerving effect.<br /> Official Selection BFI London Film Festival 2016 - Short Film Competition - Experimenta Strand

Director: Patrick Tarrant

Year: 2015

"'Phi Phenomenon 2' is a 100ft restaging of Morgan Fisher’s 1968 film 'Phi Phenomenon'. Shot on out-of-date stock, and featuring a clock fortuitously found on ebay, the film is the result of multiple experiments with hand processing in a rewind tank. Fisher's film adresses the fact that, as with the phi phenomenon, we see movement in film where no actual movement is presented to the eye... To grapple with movement here is to grapple with both speed and transparency, and in this remake the transparency of the apparatus is foregone so that the slow speed of the minute-hand must compete with the fast and furious activity of the animated artefacts rattling through the projector to film's own beat." Patrick Tarrant<br /> Official Selection BFI London Film Festival 2015 - Experimenta Strand

Director: Anthea Kennedy, Ian Wiblin

Year: 2025

A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain. <br /> The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.