EXOMOON
Synopsis
Details
- Year
- 2016
- Type of film
- Shorts
- Running time
- 6 mins
- Format
- DCP
- Director
-
Gudrun Krebitz
- Producer
- Gudrun Krebitz
- Editor
- Gudrun Krebitz
- Screenwriter
- Gudrun Krebitz
- Director of Photography
- Gudrun Krebitz
- Sound
- Marian Mentrup
- Composer
- Marian Mentrup
Genre
Categories
Production Status
Production Company
Gudrun Krebitz
Sales Company
sixpackfilm
Neubaugasse 45/13A-1070 Vienna
Austria
Page updates
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See also
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Director: Gudrun Krebitz
Year: 2014
It´s difficult to fit in, especially when you are new in town. A hand drawn animated short full of awkwardness, fun, an imaginary friend and the things that keep you up at night while your mind plays you a best-of compilation of today´s conversations.

Director: Gabi Dao, Lou Lou Sainsbury
Year: 2025
A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow. Official Selection BFI London Film Festival 2025 - World premiere

Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025