Eyrie
Synopsis
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 10 mins
- Director
-
Stephen Connolly
- Producer
- Stephen Connolly
- Editor
- Stephen Connolly
- Director of Photography
- Stephen Connolly
- Sound
- Stephen Connolly
Genre
Categories
Production Status
Production Company
E: steve@bubblefilm.net
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Machine Space
Director: Stephen Connolly
Year: 2016
An essay film analysing the space of the city as a product, its inhabitation – its spatial negotiation, its encoding by racial privilege, and who controls it. The city is Detroit and the economy of the car has been replaced by a spatial economy. Official Selection BFI London Film Festival 2016 - Experimenta Strand - World premiere
Zabriskie Point (Redacted)
Director: Stephen Connolly
Year: 2013
Inspired by a visit to Zabriskie Point – this film re-visits and contemporises Antonioni’s 1970 film of the same name. Aligning with Antonioni's stated intentions – to produce a work as "an idea in landscape" – the film undertakes a programme of visual and social research for the earlier film.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026