Gaslight
Synopsis
Details
- Year
- 2014
- Type of film
- Features
- Director
-
- Screenwriter
- Ian Fried
Categories
Production Status
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George Best was one of the greatest footballers who ever lived. But he was so much more than that. Although the football pitch was his arena, Best was essentially a pop star - young, stylish, strikingly beautiful, possessed of a creative confidence that bordered on arrogance, and worshipped by young men and women alike. Like The Beatles and The Rolling Stones.<br /> This film is simultaneously a celebration of a genius and an exploration of the demons that brought him down. We all know how these biopics traditionally work: in this case a talented but innocent young man from the backstreets of a divided but still pre-Troubles Belfast, becomes a star. But his time at the top is agonizingly short: a family history of alcoholism doesn’t help, in those pre-drug Sixties everyone wanted to buy him a drink, and before he was thirty, he was a washed up drunk. <br /> But we’re taking the Benjamin Button approach here. No-one wants to go out on a downer, with the end card telling us how many hundreds of thousands lined the streets of his home town to bid him farewell, along with the millions watching on live television.
