Project Detail

Gelato Go Home!

Synopsis

As the first snow flake settles on cold concrete, the ice cream vans begin to contemplate the harsh winter ahead. For, like the caribou and the grey goose, the season marks the start of a long voyage in search of sunnier climes.

Details

Year
2013
Type of film
Shorts
Running time
3 mins 33 secs
Format
Digital
Director
Alasdair Brotherston, Jock Mooney
Producer
Richard Barnett
Sound
Barnaby Templer
Composer
James Orman
3D Animation
Luca Paulli
2D Animation
Francisco Puerto Esteban, Layla Atkinson

Categories

Production Status

Production Company

Trunk Animation

E: info@trunk.me.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Beatles "Glass Onion" The Beatles "Glass Onion"

Director: Alasdair Brotherston, Jock Mooney

Year: 2018

Commissioned to mark the 50th Anniversary of The White Album, GLASS ONION draws on a dazzling variety of animation techniques to breathe new life into Richard Hamilton's iconic collage. Official Selection Annecy International Animation Film Festival 2019 - Commissioned Films Competition

Bottom of the River Bottom of the River

Director: Alasdair Brotherston, Jock Mooney

Year: 2011

Singing rubbish bags lament their fate as dead cats drift by.

Border as interface Border as interface

Director: Petra Szemán

Year: 2024

A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025