Grand Theft Hamlet
Synopsis
It’s January 2021. The UK has just entered its 3rd lockdown and all theatres remain closed. For actors Sam and Mark, the future looks bleak. As the pandemic drags on Mark, who lives alone is increasingly socially isolated, while Sam is panicking about how he is going to support his family. They channel their midlife frustrations by immersing their avatars in the horrifically violent yet beautifully rendered virtual world of Grand Theft Auto online. They steal cars and shoot strangers, but also find moments of calm reflection walking through meadows of wildflowers. In one gaming session they stumble across a theatre and have an idea. Why not stage Hamlet inside the game? Well, there are several reasons why not, chiefly that most people in the game are intent on murderous destruction, not polite appreciation of a theatrical production. But wasn’t theatre just as dangerous and rowdy a business in Shakespeare’s time, and isn’t Hamlet, a play about revenge the perfect choice for this place?
Official selection SXSW 2024 - Documentary Competition - World premiere
Official Selection BFI London Film Festival 2024
Details
- Year
- 2024
- Type of project
- Features
- Running time
- 88 min
- Director
-
Pinny Grylls, Sam Crane 1st Feature
- Producer
- Julia Ton, Rebecca Wolff
- Editor
- Pinny Grylls
- Screenwriter
- Pinny Grylls, Sam Crane
- Director of Photography
- Pinny Grylls
- Sound
- Jamie Perera
- Associate Writer and Director
- Mark Oosterveen
Genre
Production Status
Production Company
Project 1961
Julia TonGrasp the Nettle Films
Rebecca WolffSales Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Mystis
Director: Tatiana Collet Apraxine
Year: 2028
You awaken on a fog-shrouded shoreline and meet Echo, a strange child with a hole in their stomach. Together you cross a lantern festival where the veil between worlds is thinnest, sail into an ocean that opens beneath you, and descend through a portal into the Underworld. The Underworld moves through different facets of grief: a rave where silhouettes dance in slow motion, indifferent to Echo's attempts to reach them; a frozen sea where giant statues crack open to release a buried memory of a lost mother; a shadow theatre where an anger monster is unleashed, reducing everything to embers. From the embers, a boat carries you into a vast darkness, where Mother appears, and they are finally reunited. You sail together to the Tree of Life, a bioluminescent, cosmic jungle. Echo begs her to return to the World of the Living, but ancestors appear and surround you. She cannot come back - the journey was never about bringing her back. Echo, revealed to be your own child self, dissolves around you as the hole fills with light.
Folk to Folk
Director: Saoirse Crean
Year: 2026
Led by renowned vocal coach Jennifer John, Folk to Folk follows a group of women in Liverpool who use traditional folk songs to build unexpected connections across cultures. As they learn and sing in Gaelic, Romansh, Boro and other languages, the sessions uncover shared themes that unite us. The songs rise like ghosts from the past, stirring memories, laughter and tears, and opening a safe space for the women to reflect together. “This project proves that music is a universal language. It allows us to feel, to be emotional, and when we do that together… that’s where the power lies” - Jennifer John
The Local
Director: Kim Hopkins
Year:
In an inner-city pub in Northern England, the lives of its regulars unfold through politics, love, loss and song, as a community holds on with quiet dignity in a world growing more divided and uncertain.