Project Detail

Guru in Seven

Synopsis

Sanjay's an artist. He's been with his girlfriend Jill for five years. When they met it was magic. Life was gonna be a party. Now the big 3-0's looming and their relationship is sliding downhill fast. Jill wants marriage and kids. No way. Sanjay's still trying to find that elusive break. Then there's his family. He's Indian and she's black. Bad news.


Jill gives him an ultimatum: "Marry me or I'm gone." He calls her bluff and she sets off to LA for a week of sun, sea and sand. Does he give a damn? Forget it! She needs him more than . . .


Sanjay calls up an ex-girlfriend and they 'do the business'. Next day he scores again! Is God trying to tell him something? His mates love it: "Two in two days!" Now, if he can only score with five more women and make it seven in seven days he'd be a definite Guru. In fact he'd be the Guru - "the one and only." For five years Sanjay's been faithful to Jill but . . . hang on - she dumped him.


The would-be Guru launches himself into the land of muff . . . "dive, dive, dive". The days go by in a haze of sex and drugs and . . . bhangra! As the scores are notched up the old longing for Jill returns. Sanjay tries to put on the brakes but there's major money on his "seven in seven". If he backs out now, the local 'godfather' - Ram - will do him some serious damage. Ouch!


Sanjay's make or break exhibition looms. Jill's return from LA is imminent. What's the Guru gonna do?

Details

Year
1999
Type of project
Features
Running time
107 mins
Format
35mm Kodak
Director
Shani Grewal
Producer
Arthur Lawrence
Executive Producer
Arthur Lawrence
Director of Photography
James Bishop
Principal cast
Nitin Chandra Ganatra, Saeed Jaffrey, Jacqueline Pearce
Screen Writer
Shani Grewal

Categories

Production Status

Production Company

Balhar Film Productions Ltd 14D Eccleston Road Ealing London W13 0RL Tel/ Fax: 020 8567 9117

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Bandit Michele Di Gè, as an old man reflecting on his outlaw life. Diary of a Bandit (Diario di un brigante)

Director: Henry Worsley

Year: 2027

Italy, 1866. Michele Di Gè, a young shepherd, leads a monotonous life, but dreams of the bandit-filled mountains on the horizon. When he helps his friend flee conscription, Michele sees an opportunity to leave home and prove himself as a man, joining a band of brutal outlaws. But this is not the adventure Michele bargained for – and behind every myth, there hides a stranger and more terrible truth. Shot by an international crew of young independent filmmakers, this film transports you to Italy's own Wild West -- a world never seen before on screen.

Man wearing shirt exhausted on a blue coloured lounger, in a warm country. Sun umbrellas, pool and palm trees out of focus in the background. The sunlight hits him from the left-hand side. Your Sweet Home

Director: Nataša Cordeaux

Year: 2026

Bill, a timid and overworked Brit, impulsively books a beach escape in the hope of unwinding. On arrival, he's greeted by a mysterious Balkan baba and follows her into the flat of her daughter, Sunny - an eccentric former travel agent. “Welcome to paradise, my darling,” Sunny beams, rebranding their small home into a VIP holiday experience. Out of his depth, Bill is soon commandeered by Sunny’s persuasive upselling and is roped into a unique beach excursion - pay per hour. Each day brings another increasingly absurd encounter: a coffee-cup fortune becomes a massage sales pitch, while an innocent nap takes a strange turn. Yet amidst the oddness, Sunny and Baka’s boundless hospitality and growing fondness for having a man around the house begin to make Bill feel at home. On his final morning, Bill discovers that his bed is actually Baka's bed. Sitting together on the balcony, he confesses his deep dark secret: he’s never been on holiday before and worries he’s doing it wrong. “What a silly thing to worry about,” Sunny says. Bill decides it’s a great day for the beach. Business is back on as Sunny and Baka bicker about how many sandwiches they can sell.

Woman leans against an opaque panelled door. Split Ends

Director: Grace Cassidy, Laura Hafes

Year: 2025

Inside this film’s carefully constructed dollhouse aesthetic lies a sinister moral, directly inspired by Victorian fables designed to scare children into obedience. A wistful, near-elegiac poem of a script, by writer/director duo Laura Hafes and Grace Cassidy, gives lyrical form to a narrated daydream that turns into nightmarish reality. Movement Director Araminta Wraith’s adept puppetry breathes life into a Medusa-like wig that overpowers its master. Each perfectly lit frame of Scarlett Gardner’s cinematography plays to the text’s theatrical nature, from a tracking shot through a hair-curtain opener to a final battle rendered in shadow and silhouette behind frosted glass. Official Selection, Uppsala Short Film Festival 2026