HELP! I Think My Teacher is Racist
Synopsis
Official Selection British Urban Film Festival 2024
Details
- Year
- 2024
- Type of project
- Shorts
- Running time
- 35 min 43 sec
- Director
-
Benjamin Turner
- Producer
- Benjamin Turner
- Editor
- Benjamin Turner
- Screenwriter
- Benjamin Turner
- Director of Photography
- Tee Visuals
- Production Designer
- Tyrelle Boyce
- Sound
- Ryan Walker
- Composer
- The Spit Game
- Principal cast
- Craige Middleburg, Kola Banjo, Ivan Oyik, Toni Olabanji, Tyrelle Boyce, Tate Boyce
Genre
Categories
Production Status
Production Company
Page updates
This page was last updated on 10th June 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Fair
Director: Benjamin Turner
Year: 2027
A group of teenage boys become entangled in a series of escalating "games" built around a single rule: don’t flinch. What begins as playful competition gradually shifts into something more controlled, more psychological, and more dangerous. As the boundaries blur, each boy is forced to navigate power, performance, and the pressure to appear unbreakable. FAIR explores how identity is shaped under pressure, and what it takes to hold your ground in a world where showing weakness isn’t an option.
All Eyes on Me
Director: Benjamin Turner
Year: 2027
When five teenage boys go viral after a rap performance, a humiliating moment is filmed and shared online, unleashing the unforgiving judgment of the internet.
Sausage Rolls & Jollof Rice
Director: Benjamin Turner
Year: 2026
On a chaotic London film set, tensions simmer between a rising Black actor, a frustrated sound man, and an ambitious young director. Between takes, cultural clashes, class anxieties, and hidden insecurities bubble to the surface - all over a table of sausage rolls and jollof rice. A sharp, darkly comic meta-film exploring identity, tokenism, and the politics of ‘representation’ in the British film industry. As the line between the film-within-the-film and reality begins to blur, each character is forced to confront who really gets to tell their story - and what’s left on the cutting-room floor when ‘diversity’ becomes performance, and identity itself becomes the role.