Project Detail

Here to Stay

A group of women sitting in their olive groves.

Synopsis

In a remote village in southeast Turkey, 35-year-old Meryem begins the annual olive harvest. For generations, the groves have sustained the village women's livelihoods, but this year, the harvest takes place under a shadow of fear. Following a devastating earthquake that destroyed Meryem’s home, 60% of the village’s olive lands have been seized by the government to build a new satellite city. As the concrete edge presses steadily toward their remaining fields, this harvest may be their last.
Once a stay-at-home mother, Meryem picks up a camera to document the slow unraveling of her community. Women, previously confined to the home, step into public life - leading protests, sit-ins, and a landmark lawsuit alongside thousands of indigenous landowners, to protect the land they have tended for centuries. Interweaving Meryem’s video diaries with observational footage, the film moves between intimate scenes of the family harvest and the female-led resistance. As the movement unfolds, the once-perfect harvest is gradually disrupted by destruction.
HERE TO STAY tells the story of a people’s fight for justice, tracing how tragedy transforms Meryem from mother to resistance leader, as she seeks to protect the land she calls home.

Details

Year
2026
Type of project
Shorts
Running time
29 min 50 sec
Director
Sheida Kiran
Producer
Lucy Draper, Sheida Kiran
Executive Producer
Hannah Bush-Bailey
Editor
Giorgia Zarantonello
Screenwriter
Sheida Kiran
Director of Photography
Andri Haraldsson
Sound
Güldem Masa
Composer
Sheida Kiran
Music Performed and Arranged
Entropies
Performers
Fran Lombardelli, Emilia Pearce and Sophie Sanford
Choir
Rihen Kültür Sanat ve Dayanışma Topluluğu
Music Mixer
Marta Maria Dinozzi
Sound recordist
Özkan Boz
Colourist
Mara Ciorba
Graphics Designer
Jason Gilby
Head of Colour Production
Charlie Morris
Colour Producer
Sarah Banks
Online Editor
Tim Beeston, Tom O’Neill
Story Consultant
Dominique Young
Edit Consultant
Ariadna Fatjo-Vilas

Categories

Production Status

Production Company

Supported by Made of Truth: BFI Doc Society Short Film Fund

Simin Productions

Lucy Draper
15A Ickburgh Road
London
E5 8AF

Page updates

This page was last updated on 30th January 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

River Dreams River Dreams

Director: Kristina Mikhailova

Year: 2026

Young women see themselves as rivers, connecting poetic imagery to landscapes in a multi-voiced narrative that transforms into political commentary: Kazakh women choose to live without men. Official Selection Berlin International Film Festival 2026 - Forum Special - World premiere

TUTU TUTU

Director: Sam Pollard

Year: 2026

The South African cleric Desmond Tutu was more than just an archbishop, he was a moral compass, a fearless champion of justice and a global beacon of hope for a more peaceful future. TUTU reveals the man behind the icon through previously unpublished archive footage and first-hand accounts from those who walked beside him. The film traces Tutu’s rise as the unwavering voice of the oppressed. In the face of brutality, he stood resolute, guided by faith, fuelled by hope and driven by an unshakable belief in the humanity of all people. At its heart, this is a story of the transformative power of forgiveness, a message from which Tutu never wavered. Official Selection Berlin International Film Festival 2026 - Berlinale Special Presentation - World premiere

MUSCLE MUSCLE

Director: Karimah Ashadu

Year: 2025

With no single protagonist or linear narrative, the film immerses the viewer in a spectacle of strength through an intimate portrait of bodybuilders in the slums of Lagos. Inflated muscles, bulging veins and luminous skin glistening with sweat fill the screen. Shot almost entirely in close-ups, the camera hovers so near its subjects, moving softly like breath on skin, that at times figures become blurred, abstracted forms. Karimah Ashadu’s slow, measured pans across backs, chests and arms meditate on visibility, drawing attention to the embodiment and representation of the Black male body without rendering it singular or fixed. The metallic clang of barbells is punctuated with guttural sounds of exertion set against the ambience of the streets. Breath and muscle move in syncopated sonic choreography, and the men’s commitment to the ritual of maintaining the body is evident. Official Selection Berlin International Film Festival 2026 - Forum Expanded - International Premiere