Hidden
Synopsis
Details
- Year
- 2000
- Type of project
- Shorts
- Director
-
Craig Strachan
- Dir
- Craig Strachan 35mm. 13mins. Prod: Ros Borland, Catherine Aitken. Scr: Craig Strachan. DoP: Jan Pester. Cast: Tommy Flanagan, Paul Doonan, Cathleen McCarron, Michael McKenzie.
Categories
Production Status
Production Company
Gabriel Films Ltd The Producer Centre 59 Holland Street Glasgow G2 4NJ, UK Tel: 0141 287 9527 Fax: 0141 287 9513 E-mail: info@gabrielfilms.co.uk
Page updates
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See also
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Wild Country
Director: Craig Strachan
Year: 2008
16 year-old Kelly Ann gives birth to a baby boy, which she is immediately forced to give up for adoption. Six weeks later, in an attempt to get over the emotional upset, she goes on an overnight hike with her church youth group. The group is joined by 18 year-old Lee, the father of Kelly Ann’s baby. Kelly Ann isn't pleased to see him. The rest of the group become worried when Kelly Ann starts thinking she hears a baby crying on the moors. But they do indeed find a baby abandoned in a ruined castle. As they hike back to take the baby to safety, the group is stalked by a wild beast which begins to pick them off, one by one. 'It's gonna kill us all.' 'Not if we kill it first.' The chase begins.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.