Project Detail

High Heels and Low Lifes

Synopsis

'This is the twenty first century. Women are doing every kind of job. We can do extortion.'

When two London girls overhear a heist happening in their neighbourhood, they devise a seemingly fail-safe plan to blackmail the bank-robbing gang. But when one phone call pitches them deep into a criminal underworld, events spiral out of control and the girls realise they have taken on more than they could ever have bargained for.

Thelma and Louise outwit Goodfellas in this contemporary British comedy caper about the explosive results when High Heels take on Low Lifes.

Details

Year
2001
Type of project
Features
Format
16mm Kodak
Director
Mel Smith
Producer
Barnaby Thompson, Uri Fruchtmann
Editor
Chris Bhundon
Screenwriter
Kim Fuller
Director of Photography
Steve Chivas
Principal cast
Minnie Driver, Mary McCormack, Kevin McNally, Michael Gambon

Categories

Production Status

Production Company

Fragile Films / Buena Vista Intl. UK

Contact: Barnaby Thompson
97-99 Dean Street
London W1
UK

Sales Company

BVI

Contact: Kristin Jones
3 Queen Caroline Street
London W6 9PE
UK

T 020 8222 1536

kristin.jones@disney.com

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Blackball Blackball

Director: Mel Smith

Year: 2003

Comedy set in the world of bowls. Try as he might, the roguishly handsome Cliff Starkey, just can't keep out of trouble. In his sleepy hometown on the English coast, nothing much inspires him, apart from bowls. Cliff has always preferred to play by his own rules much to the disapproval of the regimented, elderly fraternity. Before long, the bad boy of bowls is turning the sedate and very English pastime upside down with hysterical results.

Womans eye open in shock with male figures reflected in it Fishguts

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.

Close-up of a young man with wearing a green jacket, looking anxiously off-screen, with a black horse in the foreground partially obscuring his face. Dusk

Director: Martin Crasborn

Year: 2026

Set in rural England, Dusk follows Douglas, a young farmer whose beloved horse suffers a debilitating injury. When his father insists the decision to end her suffering must be rest on his shoulders alone, Douglas must confront the heavy weight of adulthood. Rifle in hand, he faces an agonising test of duty.