Holiday of Hope

Director: Jez Lewis

Year: 2010

The small UK town of Hebden Bridge, where film-maker Jez Lewis grew up, is a beautiful and quirky rural idyll. But while it is paradise to many, it is purgatory to others. In the twenty years since he left, dozens of Jez's old friends have died young, many of them through suicide and drug overdoses. Beginning with a personal quest for understanding, the film moves into a year-long drama of human tragedy and redemption as Jez re-bonds with his oldest friend Cass. Coming to terms with his own imminent mortality, Cass attempts to lift himself out of the cycle of self-destruction he has lived amidst for so long. Around this emerges an intimate study of a place claimed to be the funkiest town in Europe, but which harbours an undertow of lethal hedonism and disillusionment. As young people continue to die by their own hands, a maelstrom of conflicting values throws up unexpected truths about the human condition, whilst Jez finds himself drawn inexorably into the action. Filmed among friends, with absolutely unrestricted access, Shed Your Tears And Walk Away is a searingly authentic portrayal of a marginalised and overlooked people who seem to have lost their survival instinct.

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.