Horse Tales
Synopsis
Details
- Year
- 1999
- Running time
- 13 x 30 mins
- Format
- 16mm/DVC
- Director
-
Various
- Producer
- Revel Guest, Justin Albert
- Director of Photography
- Various
- Series Executive Director of Photography
- Various
Categories
Production Status
Production Company
Transatlantic Films Studio 1, 3 Blackenbury Road, London W6 0BE Tel: 020 8735 0505 Fax: 020 8735 0605 Email: mail@transatlanticfilms.com
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Syrian Stories (Hakaya Souria)
Director: Various
Year: 2019
A portmanteau documentary made by displaced Syrian filmmakers through workshops in Beirut, Amman and Istanbul. Each film is distinct, but what they have in common is their ability to surprise and move us with otherwise untold known stories told in a highly accessible and creative way, reminding us of the strains of exile and the resilience of the human spirit.
Trailblazers
Director: Various
Year: 1999
Trailblazers takes the viewer on a series of intrepid journeys, visiting locations with presenters. The journeys take us to some of the world's most pristine environments, which by their nature, are adventures. All have a specific goal in view eg: to swim with the whale sharks, to visit a lost Peruvian City.
The End of Times
Director: Luca Anzalone
Year: 2026
Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.