Hush
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 90 mins
- Format
- HiDef
- Director
-
Mark Tonderai 1st Feature
- Producer
- Peter Carlton, Lizzie Francke, Hugo Heppell, Will Clarke
- Co-Producer
- Peter Carlton, Lizzie Francke, Hugo Heppell, Will Clarke
- Editor
- Victoria Boydell
- Screenwriter
- Mark Tonderai
- Director of Photography
- Phillip Blaubach
- Production Designer
- Sabine Hviid, Matt Gant
- Sound
- Tim Barker, Greg Marshall
- Principal cast
- Will Ash, Christine Bottomley
Genre
Categories
Production Status
Production Company
Warp X
The WorkstationPaternoster Row
Sheffield S1 2BX
UK
Sales Company
Pathe International
Kent HouseMarket Place
London W1W 8AR
UK
T +44 (0)20 7323 5151
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See also
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Hush
Director: Mark Tonderai
Year: 2009
Tired and irritable, Zakes and Beth drive home along the M1, a familiar journey full of harshly lit service stations and bad coffee. When a white truck narrowly avoids hitting them, its back doors open to reveal a woman terrified and screaming caged up inside. Unsure if what he has seen is real, Zakes calls the police but drives on. Beth is furious that he hasn't done more to help and at the next petrol station storms off. When she doesn't return, Zakes slowly realises that she too has been snatched by the white truck driver and is forced into a vicious game of cat and mouse with a ruthless killer who has terrifying plans for his human cargo.
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.